The Strawberry Series · Book Five
Everything published. Nothing answerable. Nobody asked me.
PART ONE
CHAPTER ONE
The bakery on the Via Sanità opened at four and the second oven was never lit.
By the second week she had the doors of Sierre down to a number.
Eleven that opened for a hand. Two of those were public and had a camera on the approach, which did not matter, because a camera looking at a person who is not anywhere is a camera looking at weather. Four were doors people had stopped locking because the building behind them was not worth the trouble. Three were held open in the mornings by the delivery, which gave you eleven minutes if you did not mind the cold coming in behind you and nobody ever did.
Two were doors that a person had propped, on purpose, for whoever, and Wren did not use those. That was a different arithmetic and she had not decided about it yet.
Everything else opened for a person.
She had worked out in the first four days that this was not a thing anybody in the valley knew about their own village. She had asked the man at the barrier, conversationally, how many doors there were in Sierre, and he had laughed and said hundreds, and she had said no, and he had not understood the question and she had let it go.
Hundreds, if you are a person. Eleven, if you are a hand.
The milk stand was the best place she had found in eleven weeks of Europe. It was a concrete platform at the road head below Randonne with a post at one end and a roof over half of it, built for churns in a decade when there had been churns, and now used by the barrier man for his radio and by nobody else. It was above the road and below the track. You could see who was coming up and who was coming down, and both of them had to pass you, and there was no reason on earth for anybody to write down that a girl had sat on it.
She had been there since the Tuesday.
Isabel came down on the Friday, and again the Friday after that, and it was the second one that mattered.
She saw the coat first. It was a good coat and it was the wrong coat, and Isabel came down the last hundred metres of the track the way people do when they have decided not to hurry and are hurrying.
“You could come up,” Isabel said.
“I know.”
“It’s a house, Wren. It has a stove in it.”
“I know.”
Isabel sat down on the milk stand. She did it without fuss, which Wren had noticed about her on the boat as well, that she would sit on things. Most of them stand and look at you and make the sitting into a favour.
“Are you going to tell me why not?”
“No,” said Wren.
That was the whole of it, and they sat with it for a while, and Wren was aware that this was the second time and that Isabel had let it go the first time and might not let it go twice.
She was not going to say it, because it came out wrong however she arranged it in her head.
The chalet at Randonne had a door that opened for a person. It had opened for Isabel eleven days ago and it had written down that it had, because that is what those doors do, they are not sinister about it, it is the whole point of them. And if Wren went up that track and stood in front of it, one of two things happened. Either the door did not open, and she stood outside a house belonging to somebody who loved her, in the snow, being nothing. Or Isabel opened it from the inside and let her in, and then there was a house that had been opened from the inside for somebody who was not anywhere, and a record of a door being held, and a hole exactly the shape of a girl standing in it.
The second one was worse. The second one put it on Isabel.
There was no way to say that out loud without it sounding like an accusation of the coat, and the stove, and the forty years, and Geneva.
“I’m all right here,” she said.
“You’ve lost more weight.”
“Bit.”
“Since Friday.”
“Bit.”
Isabel had brought bread and she put it down on the concrete between them without offering it, which was correct, and Wren ate about half of it and put the rest inside her jacket for later without pretending she wasn’t.
“There’s a woman in Sierre,” Wren said. “The one I told you about. She’s started leaving more.”
“That’s good.”
“It’s not, particularly.”
Isabel turned her head.
“She’s started leaving more,” Wren said again, “which means she’s noticed. She hasn’t looked. She’s never once looked. But she’s counting now, somewhere in her head, because you can’t put out the right amount for a person you’ve never seen without doing a bit of arithmetic about how much a person eats.”
“And that’s bad.”
“It’s not bad. It’s just a thing that’s happening.” Wren pulled her knees up. “My grandmother says the worst ones are always the kind ones. Not because they mean it. Because a kind person leaves a mark where an unkind one leaves a gap, and a gap you can walk through.”
Isabel said nothing for a moment.
“How long has she been doing it? The woman.”
“Thirty years, she reckons. Not for me. For whoever.” Wren looked down at the road. “There’s never a whoever. That’s the only kind that works.”
The bakery van came up the valley road below them at ten past four and they both watched it, because there was nothing else to watch, and the smell reached the milk stand about a minute after the van had gone, which was the way of it up there, the cold holding things and then handing them over late.
Wren said, without any change in her voice at all:
“Matteo. The bakery on the Via Sanità opened at four and the second oven was never lit.”
Then she went back to picking at the edge of her boot.
Isabel did not move.
It went on long enough that Wren looked up.
“What,” said Wren.
“Say it again.”
“Why?”
“Because I would like to hear it again.”
Wren shrugged and said it again, the same way, at the same speed, the name first and then the thing, the way you say a thing you have said four hundred times and have never once been asked about.
“That’s number nine,” she said. “Sort of. They’re not really in an order, you just learn them in one.”
“What is the Via Sanità?”
“A street, I think.”
“Where?”
“I don’t know where.” Wren said it without any interest. “You don’t get told where. You get told the thing.”
“And the name at the front.”
“That’s on all of them. That’s not part of it, that’s the — ” she made a small circle with two fingers, looking for the word, and did not find one she liked. “You say it first. Like grace. Nobody knows what it’s for.”
“Your grandmother doesn’t know what it’s for.”
“Nobody knows what it’s for,” said Wren, patiently, as though Isabel had asked what colour the snow was. “That’s not the sort of thing you get. You get the one above you and that’s all there is.”
Isabel got up.
She did it in a way Wren did not like, not because it was abrupt, but because it was careful, the way a person stands up when they have decided the conversation has to stop before they say something.
“I’ll come down Sunday,” she said.
“You don’t have to come down.”
“I’ll come down Sunday.”
She went back up the track and did not look round, and Wren watched her go, which took eleven or twelve minutes because it was steep at the top and Isabel was sixty-three.
The bread was still warm through the jacket.
Wren stayed where she was until the light went, which was not long, and then she went round the back of the co-operative building where the third of the eleven doors was, the one with the loose plate, and slept there because the boiler ran until two.
She did not think about it again.
She had said the nine hundred and something of them out loud, in order, every Sunday of her life since she was six years old, in a kitchen, to her mother, and then on a boat to nobody, and it had never once occurred to her that any of them were about anywhere. They were not about. They were just the things. You had them or you did not have them, and if you had them you found one more person, one, young enough to be frightened, and you gave them away and kept them at the same time.
Up at the top of the track the light in the window of the chalet at Randonne stayed on.
It was still on at two, when the boiler stopped.
CHAPTER TWO
Renata's oranges came from her sister's tree and never from the market.
The house was the fourth on the lane behind the co-operative, and Wren had watched it for six weeks and had never once been closer to it than the wall.
She knew the house better than she had ever known a building. She knew that the kitchen light went on at ten past six and the upstairs light at nine, and that on Thursdays both went on late because there was a van. She knew that the woman came out to the bins on a Tuesday and stood there for a minute afterwards looking at nothing, which was the only minute in the week when she was not doing something for somebody.
She knew there was an old man in the front room in a chair by the window with his back to the glass, and that the chair had been turned round at some point in the last two years, because the carpet had a bright patch where it used to be.
She knew there were two people in that house.
She had never seen the woman’s face properly. That was on purpose. You did not need a face and a face was the beginning of everything going wrong.
The food went out the back at about half past eight, under a stone, in a bag, and it had been going out for thirty years and not one word had ever been said about it to anybody.
Wren took from it about twice a week. Never twice running. Never all of it. Never on a Tuesday, when the woman stood at the bins.
The rule was not about the food. The rule was that one person giving to one person is a line between two points, and a line between two points is a thing that can be drawn on a page, and once it is on a page it does not matter in the slightest that both the people on the ends of it were decent.
For a hole to stay a hole, it has to be a hole for everybody.
There had never been a whoever. In six weeks Wren had seen one other person go to the wall, once, a man with a dog who took nothing and appeared to be looking for a shortcut. The whole architecture of the thing rested on a whoever who did not exist, and it worked beautifully, and it worked because the woman had never once looked to see.
Then, in the first week of March, the amount changed.
It was not dramatic. It was bread and a bit of cheese and then it was bread and a bit of cheese and two eggs, and then the following week it was bread and cheese and eggs and something in a paper twist that turned out to be four dried figs.
Wren sat on the wall in the dark and did the arithmetic and did not like the answer.
Two eggs is not generosity. Two eggs is a calculation. Somebody had thought about how much a person eats.
She left it for four days to see whether the amount would go back down, and it did not, and on the fifth day there was a tin.
The tin was the thing.
The bag had been for whoever. A bag is nothing, a bag is rubbish, a bag is what you would put out if you were putting out rubbish. A tin has to be brought back.
Wren stood in the lane for a long time with her hands in her sleeves, looking at a tin under a stone, and understood that she was being spoken to.
She did not take it.
The next night it was there again, and beside it, folded once, a piece of paper with three words on it in pencil.
It’s yours. Please.
No name. Not hers and not the woman’s. The woman had thought about that, had thought about it carefully, and had got it exactly right and exactly wrong at the same time, because a note with no name on it is still a note, and a note is a communication, and a communication is between two parties, and the machine does not need to know your name to know that there are two of you.
Wren read it four times, standing in the cold, and then put it back under the stone exactly as she had found it and walked away with nothing.
She went back to the co-operative wall and sat with her jaw tight and was angry in a way she could not put anywhere, because there was nobody to be angry with. Nobody had done anything to her. A woman in a village had noticed that somebody was hungry and had tried to do the one thing you are supposed to do about that.
Her grandmother had a thing about this. She had a thing about most of it, but she had a particular thing about this, and Wren had never understood it until the lane.
The ones who got caught got caught by kindness. Not by soldiers. Nobody was ever caught by a soldier who did not know where to look.
On the third night the tin was gone and the bag was back.
Wren felt the relief go through her like heat and was ashamed of it inside about a second, because the bag meant the woman had understood, and the woman understanding meant the woman had been thinking about her for three days, and there is no arrangement in which somebody thinks about you for three days and nothing is written anywhere.
She took the bread. She was too hungry not to and there was no honour in it either way.
She stayed longer than she should have. That was the mistake, and she knew it was the mistake while she was making it, sitting on the wall at the end of the lane in the dark with her back to the cold stone, watching the kitchen window because it was warm to look at.
At nine the upstairs light went on.
At twenty past, the woman came into the front room and did something to the old man’s chair, and stood beside him for a while with her hand flat on the top of his head, not stroking it, just resting it there, the way you put your hand on something to be sure it is still where you left it.
Wren looked away from that.
The post in Sierre came at eleven, and Wren was not there at eleven, because eleven was the delivery at the back of the pharmacy and the eleven minutes with the door held open.
She came past the lane at half past twelve.
The woman was on the step. She had her reading glasses on and a single sheet of paper in both hands, held up at the distance people hold things when the light is bad, and she was reading it standing in the open doorway with the heat going out of the house behind her, which she had never once done in six weeks about anything.
She read it twice. Wren counted.
Then she folded it in half, and looked up the lane, and looked down the lane, and it was the first time in six weeks that the woman had looked at anything outside her own house.
Wren was already gone by then, round the end of the wall, four seconds before the head came up, because she had been doing this since she was eleven and it was not a thing she had to think about.
She waited at the co-operative until half past eight.
Nothing went out the back that night.
CHAPTER THREE
It rained on the morning of the vote and the queue went round the block twice.
The barrier man told her about it on the Sunday, in the way of men who have decided something is not their business and would like it to become somebody else’s.
There was a woman down in Sierre who had had a letter. Sattler, the one who had the old chap. She had been asking whether anybody knew a lawyer, which in a valley of eleven hundred people meant she had been asking whether anybody knew the woman up at Randonne, and had been too polite to say so.
Isabel had come down to the milk stand at eleven and there had been nobody on it. That was the second thing that morning she had decided not to think about.
She walked to Sierre.
The house was the fourth on the lane behind the co-operative and the woman who opened the door was fifty-eight and had her sleeves pushed up and flour on one wrist, and had clearly not expected anybody to actually come.
“I’m not sure I’m allowed to advise you,” Isabel said. “I’m here on a residence permission and I’m not admitted in this canton.”
“I only want to know if it’s normal.”
“That I can probably manage.”
Elena Sattler put her in the kitchen and put the kettle on and did not sit down herself for eleven minutes.
Isabel kept her coat on. She had learned that a long time ago and had never lost it: in someone else’s kitchen you keep the coat on, because the moment you take it off you are a guest, and a guest is a person who has to be given tea and told things gently, and the paper on the table stops being paper.
Through the doorway into the front room there was the back of a chair, and the top of a head above it, and a hand on the arm of the chair that had not moved since she came in.
“That’s Tomás,” Elena said. “He’s asleep or he isn’t. He’ll tell you which later, if he feels like it.”
Fourteen pages of the notice and forty-four of the schedule.
It was an assessment in the ordinary cycle. Not an investigation, not a referral, nothing anybody had triggered. A household in a valley had come up in the run and the run had produced a form, and the form had been posted on a Wednesday.
Isabel read it the way she read everything, which was twice — once for what it said and once for what it was for.
“Is it normal?” said Elena, from the sink.
“It’s entirely normal.”
“You said that too quickly.”
“It’s entirely normal and I haven’t finished reading it.”
Elena laughed, and the laugh was young, and Isabel liked her a great deal more than she wanted to in the circumstances.
Page thirty-nine.
Box eleven. Declared provisioning, twelve months, by recipient.
Three lines high, ruled, with the guidance in six-point underneath. Purchases attributable to the household in the reporting period, reconciled against declared members, with any variance stated.
She had read a hundred thousand pages of this kind of thing and had never once looked at that box, because it is the dullest box on the form and it exists to catch people who are buying for a business out of a household account.
“Where are your receipts?” she said.
“The what?”
“Your shopping. The delivery, the van, whatever you use. Is it all through the card?”
“It’s all through the card,” said Elena. “Everything’s through the card. You can’t do anything else, can you.”
There was a spike on the dresser with the paper slips on it, four inches of them, going back years, because she was of the generation that kept the paper as well.
Isabel took them off the spike and laid them out on the table in her coat, and Elena stopped what she was doing at the sink and turned round and watched her do it, and did not ask.
It took nine minutes.
Two hundred and eight grams of bread a day, averaged over the year, and then over the year before, and then over the eleven months before that where the figure was different.
Eggs by the six and then by the ten.
A weekly quantity of milk that had gone up by about a third in the spring of the year before last and had never gone back down.
Isabel sat with her hand flat on the slips and did the last part of it in her head twice, because she wanted it to be wrong.
Two people lived in that house. One of them was eighty-one and in a chair and ate, at a guess, less every month than he had the month before.
The house had been buying for three for two years.
“Elena,” she said. “How many people live here?”
“Two of us.” Elena was drying her hands. “Just me and Tomás. There was the girl who came in on Fridays but that stopped in October, and she never ate anything anyway, she was — ”
She stopped, because Isabel had put her hand up.
It was not a thing Isabel did. She had not done it in a courtroom in nine years. She did it now because Elena was one sentence away from telling her, in her own kitchen, in her own words, with her own mouth, that she put food out the back for whoever, and once that sentence existed it existed, and Isabel was not going to be a person who had heard it.
“Don’t tell me anything else about the food,” she said.
Elena’s face changed. Not to fear. To the particular blankness of a decent person being told, by somebody they have just decided to trust, that there is a thing they must not say.
“It’s just a bit of bread,” she said.
“I know.”
“For whoever. It’s not — it’s for whoever. My mother did it. There’s never anybody, mostly. I’ve never once looked to see.”
“I know,” said Isabel.
She sat in the kitchen with the slips in front of her and forty years behind her and worked out what she was looking at.
A quantity with no recipient.
That was all it was, on the page. Not a person, not an allegation, not a name. The machine had no interest in Elena Sattler and no interest in the girl, because it did not know there was a girl, because there was no girl anywhere for it to know about. It had a household of two and a purchase history of three and a variance it could not reconcile, and box eleven on page thirty-nine existed for exactly that and for nothing else, and it would be worked on by somebody in an office who would not be unkind and would not be wrong.
A hole’s the same as a name. It’s just a name you have to work out.
A girl had said that to her on a milk stand in the snow with her boots in front of her, and Isabel had thought, at the time, that it was a good line from a clever child.
She had thought it was a metaphor.
“Is it bad?” said Elena.
“It’s a variance in a box. It’ll want explaining.”
“Can you explain it?”
“Not while I’m on a residence permission.” Isabel put the slips back on the spike in the order she had taken them off, which took another minute, and Elena watched her do that too. “I’ll come back on Wednesday. Don’t fill anything in before Wednesday. Don’t ring the number on the front. If somebody comes to the door, be pleasant and tell them your lawyer is coming on Wednesday, and use the word lawyer, because it changes the tone of the next letter.”
“I don’t have a lawyer.”
“You have one on Wednesday.”
She let herself out through the kitchen because the front room had the chair in it and the head above the chair and she did not have anything for that yet.
The back door gave onto four metres of yard and a wall, and there was a stone by the wall with nothing under it.
Above the door there was a light, on a bracket, switched on in the middle of a grey afternoon, and by the look of the bracket it had been on for about thirty years.
Isabel stood in the yard and looked up at it for a while.
Then she walked back up the valley in the rain, and she did not go to the milk stand, because there was one thing she was certain of, and it was that the girl must not be anywhere near that house on Wednesday.
CHAPTER FOUR
There were eleven of them on the quay and the photograph shows nine.
She went back on the Wednesday with a pen and nothing else.
The stone by the back wall had nothing under it. She had looked on her way past, which was a thing she had decided on Sunday she would not do, and had done anyway.
“You’ve stopped putting it out,” she said.
“Well.” Elena had the kettle going before Isabel was through the door. “Not while there’s a letter, I thought. Not till it’s sorted.”
“How long?”
“Since Sunday.” She said it lightly, and then, because she was not a light person, she said: “It’s only a fortnight. It’ll not kill anybody, a fortnight.”
Isabel put her coat over the back of the chair and then, deliberately, picked it up and put it back on.
They did the easy pages in forty minutes.
Occupancy, tenure, heating, the eleven questions about the stairs. Elena answered all of it accurately and at length, and twice gave more than was asked for, and Isabel took the pen off her both times.
“You don’t have to say why.”
“It’s true though.”
“It’s true and it’s not asked for.”
Then page thirty-eight, and then page thirty-nine, and Isabel turned it face down.
“Leave that one.”
“That’s the food one.”
“That’s Wednesday week’s problem. Do the next one.”
Box fourteen was four lines long and had a wider ruled space than any other box on the form, which meant somebody in a design office had known perfectly well that it was the hard one.
Relationship of other household member to declarant.
Tomás Manuel Ferreira, b. 1965.
Elena read it out loud and then went and got the milk.
“Husband,” she said, from the fridge, “no. Obviously no.”
“Obviously.”
“Father, no. Stepfather, no, and anyway he never married her and she wasn’t my mother.” A cupboard. “Uncle. He’s not my uncle. People say uncle, don’t they, when they mean somebody who was around. My whole life I’ve heard people say uncle about somebody who was just there.”
She set two cups down.
“Guardian,” she said. “That’s a real thing on forms, guardian. But that’s for a child, and I was a child, but I’m not one now, and it’s asking about now.”
“When were you a child in this house?”
“Nine to eleven.” Elena said it in the voice people use for a thing they have said often enough that it has stopped costing anything, which meant it had cost a great deal at some point. “My mother wasn’t well and then she was very not well. Maria took me. Maria was his wife. She had me two years and a bit and then my mother came back for me and everybody behaved beautifully about it, which I have never entirely forgiven any of them for.”
“And you came back when?”
“Maria died eleven years ago. He managed for four. Then he didn’t.” She poured. “So I came.”
“From where?”
“Basel. I had a flat and a job and a man, and I’ve still got the man, sort of, he’s very patient.” She sat down at last. “So what am I? Go on. You do forms.”
Isabel looked at the four ruled lines.
“There isn’t a word,” she said.
“There must be a word.”
“There’s a list of nine and none of them is it.”
Elena tried anyway. She tried while she was drinking her tea and she tried while she was rinsing the cup and she tried standing at the window with her back to the room, and Isabel let her, because there was nothing to be gained by stopping a person doing that and it was going to have to be done.
“Carer,” she said. “That’s the honest one.”
“Carer is a status. If you write carer you’re claiming a status, and a status has a payment attached to it, and you haven’t had the payment, and the first thing they’ll do is ask why you haven’t been claiming it for four years.”
“Because I didn’t know about it.”
“That’s what everybody says who’s been defrauding it.”
Elena turned round. “That’s monstrous.”
“It’s not monstrous, it’s just the order the questions come in.” Isabel heard how that sounded and did not soften it, because softening it would have been a lie. “It isn’t monstrous and it will happen anyway.”
“Tenant, then. It’s his house.”
“Have you paid rent?”
“Of course I haven’t paid rent.”
“Then you’re a tenant with four years of unpaid rent, and that’s a debt on his side of the assessment, and it comes off him.”
“Friend,” said Elena.
“Friend isn’t on the list.”
“Then what’s the list for?”
Isabel did not answer that, because the answer was that the list was for the eleven arrangements that ninety-seven per cent of people are in, and there was nothing to be gained by saying it in that kitchen.
From the front room, without any preamble at all, an old man’s voice said: “Put lodger.”
Elena went to the doorway. “You’re not a lodger.”
“I know what I’m not.” A pause, and the sound of somebody settling. “Put lodger. It’s the smallest lie on the page.”
“It’s still a lie, Tomás.”
“Then put nothing and let them come.”
Isabel had not spoken to him yet, in two visits. She turned in her chair so that she could see the back of the head above the back of the chair, and said, to it: “There’s a certificate at the foot of page forty-four. It applies to what you write and to what you leave out. A blank and a wrong answer are the same code.”
The head did not turn.
“Then it’s not much of a certificate,” said Tomás Ferreira.
They came back to it after four and Elena went through the schedule pages to be doing something, and that is how she found the third box, because Isabel had not got there and had not yet decided how to get there.
It was on page forty-one, in the household planning annex, and it was not hidden and it was not flagged.
Anticipated duration of care requirement: 14–19 months.
Elena read it. Then she read the four lines under it, which were about heating allowances and the review interval.
Then she stopped talking.
She stood at the end of the table with the page in her hand and Isabel watched forty years of practice go past her uselessly, because there was nothing in any of it for this.
The clock in the hall did whatever it did.
“Is it right?” said Elena.
Isabel thought about the eleven thousand hours, and the calibration published weekly, and the fact that the thing had never once been wrong about this in a way that mattered, and that she had signed the assurance page on forty-one deployments in six cantons.
“Yes,” she said.
Elena nodded.
Then she put the page down on the table, squared it against the edge with two fingers, and went and put the kettle on again, because it had gone cold, and because there was going to have to be more tea.
CHAPTER FIVE
The number on the door was forty-one before they renumbered the street.
Nine days.
She gave it four and then six and then she sat on the co-operative wall on the ninth evening and admitted to herself that she had broken the only rule that had ever mattered, which was that you do not stay where a thing has stopped.
You go. A place that has changed is a place that has changed for a reason, and the reason is not your business, and the only correct response is to be four valleys away by Thursday.
She had not gone. She had eaten out of the pharmacy bins twice and got something wrong in her stomach off the second one, and she had stayed in a village of eleven hundred people looking at a house with a light over the back door, because she wanted to know whether it was her.
That was the whole of it. Not hunger. She had been hungry before and hunger has no questions in it.
She wanted to know whether a woman had stopped putting bread under a stone because of her.
There was a car in the lane on the ninth night, which there had never been, and a coat on the back of a chair in the kitchen that she recognised from the milk stand.
She was still working out what that meant when the back door opened and Isabel came out into the yard.
They looked at each other across four metres of concrete.
“You can’t be here,” Isabel said, very quietly.
“I know.”
“Wren.”
“I know. I’m going.”
She did not go.
The door was open behind Isabel and there was light coming out of it into the yard in a long shape, and Wren stood at the edge of the shape with her boots in the dark part, and then the woman came to the doorway.
Six weeks of a back and a shoulder and a wrist with flour on it, and now a face, and Wren was surprised by how ordinary it was and by how much that mattered.
The woman looked at her for about a second and a half.
“Oh,” she said.
That was all. Not surprise. The sound a person makes when a thing that has been true for a long time becomes visible.
Then: “Have you eaten?”
“I’m all right.”
“That isn’t what I asked you.”
“I’m not coming in,” said Wren.
“No,” the woman agreed. “I can see that.”
She went back inside. Isabel started to say something and stopped. Thirty seconds later the woman came out again with a plate, and she did not hold it out, and she did not put it into anybody’s hands. She set it down on the flat of the wall by the gate, and she went back in through the door and shut the door behind her.
The light in the yard went off.
Wren stood in the dark and ate off a wall in nine minutes flat and did not say anything at all while she did it, and Isabel stood four metres away with her arms folded and said nothing either.
Afterwards the door opened again and the woman said, “There’s papers on the table, if you want to see what all this is,” and left the door open and went away from it.
Wren came as far as the step and no further.
From the step she could see the whole kitchen. Fourteen pages and a schedule laid out in three rows in the order they went, a pen across the top of the second row, two cups, a spike of paper slips, and a page turned face down on its own by the salt.
“That one,” she said.
“That one,” said Isabel.
The woman turned it over and read it out. Box eleven, page thirty-nine. Declared provisioning, twelve months, by recipient. Purchases attributable to the household, reconciled against declared members, any variance stated.
Wren listened to it twice.
Then she said: “It doesn’t say person.”
Isabel’s head came round.
“It says recipient,” said Wren. “Recipient’s not a person. You’ve been putting food out the back on a wall and you’ve never once looked to see what took it, so there isn’t anybody to put. That’s not you being clever, that’s just what happened. You put it out. Things went. You don’t know what things.”
“And the variance?”
“The variance is out the back on a stone.” Wren shrugged. “It’s true, all of it. Every bit of it’s true. And there’s nothing at the end of it for them to go and find, because there’s nothing at the end of it. They can’t finish it. It just sits there being true and not finished, forever, and open’s not the same as wrong.”
Nobody said anything.
Wren, who had said the thing and was done with it, looked round the kitchen for the first time and noticed that the old man’s chair through the doorway had its back to the window.
When she looked up again Isabel had gone quite still, in the same way she had gone still on the milk stand about a bakery, and was looking at her with an expression Wren did not have a name for and did not much care for.
“What,” said Wren.
“Nothing.”
“You keep doing that.”
“I know.”
The woman had picked the page up and was reading it again herself.
“No,” she said.
Wren waited.
“I can’t put that.”
“It’s true.”
“It was true on Sunday.” The woman set the page down and squared it against the edge of the table with two fingers. “It’s not true tonight, is it. I know what took it. It’s standing in my yard eating off a wall.”
Wren opened her mouth and found there was nothing in it.
“If I write that box on Sunday,” the woman said, “then I’m a woman who puts food out and never looks, and that’s the honest answer and it’s the whole answer. If I write it on Thursday I’m a woman who’s had a look and is writing the other thing anyway. And that’s not the same, love. That’s not even nearly the same.”
“They can’t tell.”
“I can tell.”
“That’s not — ” Wren heard her own voice come up and got it back down. “That’s not what it’s for. It’s not a confession. It’s a box on page thirty-nine of a form about a boiler.”
“I know what it is.”
“Then put it.”
“No,” said the woman, pleasantly, and put the pen down on top of the page. “I’ll not write anything on there that isn’t so. I’ve never done it and I’m not starting at fifty-eight for a bit of bread.”
Wren stood on the step in the cold with a plate on a wall behind her and understood, in the order these things arrive, that she had walked nine days’ worth of hunger into a lane in order to hand a woman an answer that had stopped working four seconds before she gave it, and that the thing which had stopped it working was her arriving.
She had made it untrue by being there.
“Right,” she said.
She went down the yard and out of the gate and did not look at the plate.
At the corner she turned round, because she could not help it, and the two of them were still exactly where they had been, the woman standing at her own table with her hand flat on a page, and Isabel by the door.
Isabel said nothing at all.
PART TWO
CHAPTER SIX
Her name was Renata and she taught in the same room for thirty-one years.
She was ill for eleven days after the pharmacy bins and it made her stupid.
That is the honest account of it and she gave it to herself in those words, sitting on the floor of a bus shelter outside Sion with her back against the timetable, because there was going to have to be an account and it was better to write it before anybody else did.
She was ill and it made her slow, and slow is the whole of it. Everything she had been taught was built for a person who could think at ordinary speed. Nobody in the chain had ever said what to do about a girl who could not.
The building was on a street behind the station and its door opened for anybody, which put it in the small class of doors that were no use to her, because a door that opens for anybody has a camera on it and a person behind a desk who is paid to look up.
She went in anyway.
She had a question and there was nowhere else in a hundred kilometres to ask it, and she had worked out the shape of it over four days so that it could be asked without anything attached.
If somebody put food out the back of a house for thirty years and never looked to see who took it, what happens to them.
That was all. A question about a woman who was not her, about a box that was not hers, in a building where nobody knew either of them.
The counter had two positions and one of them was open.
N. FOLLONIER.
She was somewhere past forty and she had a cardigan on over the uniform blouse because the office was cold, and there was a plastic box of cut fruit on the desk beside the keyboard with a fork in it, and she had been eating it in the four seconds between things all morning.
“Bonjour. Do you want French or English?”
“English.”
“English, good, mine is better than my French according to my son.” She pushed the fruit aside. “Go on.”
Wren asked her question.
Mme Follonier answered it properly. That was the first thing that went wrong. She did not say that’s not something I can discuss, or are you the declarant, or any of the eleven sentences Wren had prepared for. She thought about it, and she said that a provisioning variance was usually nothing, that it went to a reconciliation queue and mostly came back reconciled, and that the trouble only started if it stayed open across a cycle, because open items were what the annual run swept up.
Then she said: “Whose house?”
“Not mine.”
“No,” said Mme Follonier. “I know it’s not yours.”
The room was warm.
That is not an excuse and Wren did not offer it as one, afterwards, to herself, in the bus shelter. But the room was warm and there was a chair and she had been standing up for eleven days and the woman had a fork in a box of fruit and had answered the actual question.
“You’re not on anything,” said Mme Follonier. Not unkindly. Not as an accusation. The way you say a thing you have seen four times before and have stopped being surprised by. “It’s all right. There’s no — nobody’s going to come out of the back. I’m the only one here till two.”
“I’m all right.”
“You look like the wind would have you.” She had turned to the screen while she was saying it. “Right. It is the quickest thing in this building and it is the only quick thing in this building, so let me just — ”
She was typing.
Not asking. Typing.
“Office, that’s us, that’s automatic. Date, that’s automatic. Mode of contact, in person, that’s me.” Talking at the same speed as her hands. “The whole thing is twenty minutes and most of that is the doctor’s bit, and it’s a card and a bed and you can eat, and you’re what, seventeen?”
“Nineteen.”
“Nineteen,” said Mme Follonier, and typed it.
Wren put her hand flat on the keyboard.
She did it without deciding to. Her palm went down across the middle of it and stayed there, and the two of them looked at each other over the top of the counter, and the office was very quiet.
“Take it off,” said Wren.
“Take what off?”
“All of it. What you’ve put on.”
Mme Follonier’s face did something. It was the face of a person understanding that they have been going at forty words a minute at somebody who cannot go at forty words a minute.
“Oh,” she said. “Oh — no, love. I haven’t put you on anything. That’s not the registration. The registration is a whole other — this is just a contact.”
“What’s a contact.”
“It’s nothing. It’s a note that somebody came in.”
“What’s on it?”
“Office. Date. Time. In person.” She was reading it off her own screen now and her voice had gone careful. “Age nineteen.”
“And my name.”
“I haven’t asked your name.”
“Put nothing.”
Mme Follonier looked at the screen for a moment. Then she typed something, four keystrokes, and Wren watched her do it and could not see what it was.
“What did you put?”
“Not given,” said Mme Follonier.
Wren took her hand off the keyboard.
“Take it off,” she said again.
“I can’t take it off.”
“You put it on four seconds ago.”
“I know.” The woman had both hands flat on the desk either side of the keyboard now, the way you hold still when something has gone wrong and moving would make it worse. “It opened when I opened the screen. It’s got a number on it from the moment it opens. I can complete it or I can leave it and it goes to the queue as incomplete, and that’s — those are the two.”
“Which one’s smaller?”
“Neither of them is smaller. That’s the trouble. If I complete it there’s a person in the system. If I leave it there’s an incomplete contact with an age and a date and a description and no name on it, and those get looked at, because that’s what a queue is for.”
“So there’s no one that’s nothing.”
“No,” said Mme Follonier. “There’s no one that’s nothing.”
They stood there.
Behind the counter, on the wall, there was a photograph of a school class pinned up beside the fire notice, and a child’s drawing of a dog, and a laminated card with the eleven steps of something on it.
“I was trying to be quick for you,” said Mme Follonier.
“I know.”
“I’ve got four of you come through here in nine years and every single one of them was in a state, and the twenty minutes is the only thing in this building that actually — ” She stopped. She picked up the fork and put it down again without doing anything with it. “I’m very sorry. That is a completely useless thing to say to you and I’m going to say it anyway.”
“It’s all right.”
“It isn’t.”
“No,” Wren agreed. “But you didn’t do it on purpose, so there’s nowhere for it to go.”
She went out through the door that opened for anybody.
She got as far as the end of the street before she was sick, which she put down to the bins, and sat on the kerb afterwards with her arms round her knees doing the arithmetic she had been doing since she was six.
A note with an office on it. A date. A time. In person. Age nineteen. A description she had not been shown and could not correct.
And a name, which was not given, which is two words, and two words is not nothing.
Somewhere there was now a shape with no name in it, and it had a number, and the number had been issued at 11.04 on a Tuesday by a woman who had a fork in a box of fruit and had been kind to her.
CHAPTER SEVEN
The letter was written by hand because he did not trust the other kind.
The room was on the first floor above the post office and it had eleven chairs in it, six at the front and five at the back, and the five at the back were for the public and were open to anybody, which was the only reason Wren was in the building.
Nobody asked her anything on the way in. That had been the whole calculation. A room that is open is a room you can be in, and being in a room is not a thing that has to be written down.
She took the chair nearest the door.
There were four items on the sheet by the door and Elena’s was the third.
The first two took nine minutes between them and were about a drainage grant and a school bus, and Wren watched the officer do them and understood that the courtesy was real. Everybody in the room was polite in the way that people are polite when they are not pretending, which she had not expected and did not know what to do with.
The officer was a man of about fifty who kept his glasses on top of his head and took them down for the papers.
Elena sat at the front in her good coat with her hands in her lap. Isabel sat beside her, one chair back, which Wren did not understand until she heard Isabel say, at the start, that she was present at the declarant’s request and was not acting.
And the woman on the other side of the table was called Doorn.
She was younger than Isabel and older than she looked and she had four inches of paper in front of her, and she had read all of it, and it turned out later that she had read the receipt slips as well.
She did not raise the food.
That was the thing Wren had come for and it did not happen. There was no accusation about the food and no clever question and no moment where a trap closed. Doorn simply took the officer through the reconciliation in the order it appeared, said which items were resolved, and stopped at box eleven on page thirty-nine.
“That one is open,” she said. “It’s left blank. I should say that the Chamber doesn’t draw anything from a blank.”
“Nothing at all?” said the officer.
“Nothing adverse. It’s an unreconciled quantity. It stays open, and open items are swept into the annual run, and that is the only consequence, and it isn’t a small one.”
Isabel said: “It’s explicable.”
“I’m sure it is,” said Doorn.
“There is a person who can explain it,” Isabel said. “That person is present. That person is not a member of the household and never has been.”
The room went quiet in a small administrative way. The officer put his glasses down.
Doorn turned round in her chair and looked at the back of the room, and Wren looked back at her, and Doorn’s face was entirely without triumph. She looked at Wren the way you look at a difficulty you have just been handed and have not yet worked out.
Then she turned back.
“I’d want that evidence,” she said. “I’d want it more than Mme Sattler wants it. An unreconciled quantity that turns out to be four hundred loaves of bread on a wall is a very much better outcome for everybody than an unreconciled quantity, and I’ve no interest at all in the second thing.”
“Then take it.”
“I can’t take it.”
“You can take evidence from a member of the public.”
“I can take evidence from a person,” said Doorn.
She explained it without any pleasure and without any hurry, and every part of it was true and Wren checked every part of it as it went past.
Evidence attaches to a party or a witness. Both are entries. A witness has an identifier, because the statement has to be attributable, because an unattributable statement can be neither tested nor relied upon nor corrected, and correction was the whole of it, and had been the whole of it for thirty years.
There was no mechanism to hear a person who was not anywhere.
“There’s never been a need for one,” Doorn said. “Which is not the same as it being impossible.”
“No,” said Isabel. “It isn’t.”
“The Chamber wouldn’t oppose a direction.”
“You’d support it?”
“I’d support it today,” said Doorn. “It would take about six weeks and it would create a limited class of attributable statement for persons outside the register, and I would want it drafted properly, and I would want it to survive being used by people I would like a great deal less than the young woman at the back of this room.”
The officer had his glasses in his hand and was looking at the ceiling in the way of a man who can see a career in front of him.
“That would be a considerable thing,” he said.
“It would be the first new class of person on the record in nineteen years,” said Doorn.
Wren stood up.
“No,” she said.
Everybody turned round.
She had one sentence and she had been holding it since the word mechanism, and she said it exactly as it was in her head, without any of the arranging she would have done if she had had time.
“To let me talk you’d have to make somewhere to put me.”
Then she sat down again.
Nobody argued with her.
That was the part she thought about afterwards, on and off, for years. Not one person in that room told her she was mistaken, or that it was not like that, or that she had misunderstood the arrangement.
Doorn sat for a moment with her hand flat on the paper.
“That’s correct,” she said.
“Sofie,” said Isabel.
“It’s correct and I’m not going to say otherwise to her.” Doorn did not turn round again. “A class is a place. If we build somewhere for her to stand, she is standing somewhere. There is no version of it where she gives evidence and remains where she is.”
The officer put his glasses back on top of his head.
“Then I’ll record that the direction is not sought,” he said. “Mme Sattler, box eleven remains open, and I’m afraid that means the item goes forward unreconciled. Is there anything else on item three?”
Isabel said there was not.
The clerk at the side table said, without looking up: “For the minute — the person at the back who spoke.”
“Yes,” said the officer.
“I’ll need a name for it.”
Wren did not move.
Doorn said, quite quickly: “Minute it as an unidentified member of the public.”
“That’s what I’ll put, then,” said the clerk, and put it.
Item four was a boiler grant for the school and it took eleven minutes, and there was a small dispute about a quotation, and at one point the officer made a joke about the plumber and three people laughed.
Wren sat at the back with her hands between her knees and did the sum.
An office, a date, a time, in person, age nineteen, name not given.
And now a room, a date, a time, a person at the back who spoke, name not held.
Two shapes.
Somebody, somewhere, would put them next to each other eventually, not because they were looking, but because that is what a queue is.
She went down the stairs and out past the post office into the rain, and behind her, upstairs, they were still talking about the plumber.
CHAPTER EIGHT
Nobody in that house was asleep.
The lawyer who came up on the Thursday was thirty-one and arrived with a paper bag of pastries balanced on the roof of the car while she got the door shut.
“You must be Wren. I’m Céline. There’s four in there and I’ve had two, and I want that on the record because I’m going to deny it later.”
Wren was sitting on the wall at the end of the lane, where she had been sitting for six weeks and now sat openly, which was its own small defeat.
“Thanks,” she said.
“Take the apricot one, the apricot one is the reason I stopped.”
“Thanks.”
Céline Rivaz waited for a bit more of a sentence, did not get one, and went in to see Elena.
She was not what Wren expected and she had expected quite hard.
She was quick and she was funny and she was extremely good, and Wren worked that out inside eleven minutes by the way Elena’s shoulders came down. She sat at the kitchen table with her laptop and went through the whole of it in an hour and a quarter, and never once made Elena feel stupid, and twice made her laugh.
She had two teeth slightly crossed at the front and a laugh that started before the joke landed. She was the sort of person that people in a village describe as lovely and then cannot say anything else about.
Wren sat on the step with the door open and listened, and did not come in, and answered when spoken to.
“Is it always this cold in March up here?”
“Sometimes.”
“Have you been up to the lake? The one above the pass with the — you know.”
“No.”
“You’d like it. Everybody likes it.”
“Probably.”
She was doing it on purpose and she knew she was doing it on purpose.
There is a thing Wren could do that she had been able to do since she was small, which was to make a room go, and it had never once cost her anything before Europe. On the atoll she had been the whole of a Wednesday evening for eleven people, and at fifteen she could do the harbour master and the priest and the woman off the boat, and her mother had had to leave the room twice.
It was the only thing she had that was hers rather than the chain’s.
She sat on a step in Sierre and made herself boring, deliberately, sentence by sentence, for an hour and a quarter.
Nothing funny. Nothing that would be repeated. Nothing that would make a woman say, to somebody, at some point, oh, the girl up at Sattler’s, she’s marvellous, you should hear her do the barrier man.
Because that gets repeated. Because a person who is marvellous is a person who comes up in conversation, and conversation is not a record but conversation is where records come from, and by the time it is a record it is far too late to have been less funny.
At about four Céline came to the door with two cups and sat down on the step next to her, which Wren had not thought of as a thing that could happen to the step.
“Right,” she said. “What did I do?”
“Nothing.”
“I’ve been in there an hour and a half being charming at a woman I’ve never met and getting good work done, and I come out here and it’s like talking to a wall with a hat on. So either you’ve decided I’m the enemy, which is fair enough and would be quite sensible of you — ”
“You’re not.”
“ — or you’ve decided something else.”
Wren looked into the cup.
“You don’t have to do that with me,” said Céline. “That’s all. I’m not going to say it again and I’m not going to be huffy about it.”
She did not sound huffy. She sounded hurt, which was worse, and she had the grace to be hurt quietly.
Wren said: “It’s not you.”
“No,” said Céline. “I don’t imagine it is.”
She stayed another half hour and did the schedule pages, and Wren stood in the doorway this time rather than sitting on the step, which was as far as she got.
From there you could see the screen.
Céline worked the way none of them worked in the books Wren had never read. She did not write anything. She read what came up, and she agreed with most of it, and where she did not agree she selected a different one of the three offered and typed nine or ten words into a box to say why, and moved on. She was fast at it in the way that people are fast at a thing they have done four thousand times.
“You don’t write it,” said Wren.
“God, no.”
“Any of it?”
“Not for about four years.” She said it cheerfully, over her shoulder. “I used to. First two years I drafted everything and it took eleven hours a file and about a third of it was wrong in ways I couldn’t see. Now it’s an hour and a half and the mistakes are mine, which is a much better class of mistake.”
“What would you do if it wasn’t there?”
Céline stopped typing.
She turned round in the chair, and she thought about it properly, which Wren had not expected either, and then she laughed at herself.
“Do you know, I genuinely don’t know,” she said. “Isn’t that awful? Twenty-two months of exams and I don’t know what I’d do with a blank page. My mother’s the same and she was thirty-one years a theatre sister. She says she’d still know where everything went, she just wouldn’t know why anything was where it was.”
“Does that bother her?”
“Not in the slightest. She’s happier than anybody I know.” Céline turned back to the screen. “She says the ones who are miserable are the ones who thought the job was the point.”
At twenty past five she stopped, and sat looking at the screen for a moment with her chin on her hand.
“Hang on,” she said.
She typed for about thirty seconds. Not the nine or ten words. Something longer, and she did it with the small frown of a person doing something slightly outside the run of the day and getting it right.
Then she shut the laptop.
“What was that?” said Wren.
“Housekeeping,” said Céline Rivaz.
She did not say anything else about it. She put the laptop in the bag and shouted a goodbye through to the front room, and Tomás shouted something back that neither of them caught, and she got her coat off the chair.
At the car she stopped.
“The apricot one’s still in the bag,” she said. “It’ll only go in the bin, Wren, and then I’ll have to look at it in the bin.”
Wren took the apricot one.
“There you are,” said Céline, delighted, and got in and drove off down the lane, and the last Wren saw of her she had one hand up out of the window.
CHAPTER NINE
The second lorry was empty and they signed for it anyway.
The barrier man told her about the woman in Chalais the way he told everybody about the woman in Chalais, which was as a warning.
“Seven years,” he said. “Seven years on the same thing. She’ll have your afternoon off you and give you nothing back.”
“What thing?”
“Her brother.” He shrugged. “You want to know about forms, she knows about forms. There’s nobody in this valley knows more about forms and there’s nobody in this valley worse off for it.”
The flat was on the third floor above a shuttered dentist’s and Madeleine Bourdon opened the door on the chain, looked at her, took the chain off, and said, “Have you eaten?”
Everybody in this country asked that. It had taken Wren eleven weeks to work out that it was not about food.
The front room had a table in it that had stopped being a table. Twenty-six box files along the wall in two colours, the reds for correspondence and the greens for everything else. An index on the wall on a sheet of squared paper, handwritten, in four columns, with a ruler.
“Don’t touch the reds,” said Madeleine. “The reds are in order.”
“What’s the order?”
“Date received, not date of the letter. They’re not the same and if you file by the date on the letter you will lose a year of your life.”
She said it the way a joiner tells you which way to plane.
She made coffee and she talked for an hour and a quarter, and Wren, who had come for one specific thing, let her.
Guillaume Bourdon had been degraded eleven years ago. He had been a surveyor. The assessment had put him at Degree Four, which Madeleine explained twice and both times as though the number were an insult and not a category, and Wren gathered from the way she said it that Degree Four was low but not the lowest and that this mattered enormously to Madeleine and to nobody else alive.
“They’ve never said I was wrong,” she said.
“About what?”
“About anything. Seven years and four months and not one word of mine has been struck out. Not one.” She had her hand flat on the top of a green file when she said it. “There are people who go in there and shout. They lose in a morning. I have never once been told I was inaccurate.”
She was so proud of it that Wren had to look at the index on the wall for a moment.
“Show me how you do one,” Wren said.
“Do one what?”
“A statement. Where you tell them a thing that happened.”
Madeleine Bourdon put her cup down and looked at her over the top of her glasses, and something came into her face that Wren did not recognise for a second, because she had not seen it aimed at herself before.
She was delighted.
“Right,” she said. “Sit there. Not that chair, that chair’s got the schedules on it.”
It took two hours and Wren did not notice the first one going.
“There are three things,” said Madeleine, “and everybody gets them wrong in the same order.
“The first is scope. You say what you can speak to and you stop. Not what you believe, not what you were told, not what anybody thinks. If you were there on the Tuesday you can speak to the Tuesday. You cannot speak to the Wednesday and if you try they will find the Wednesday and then the Tuesday goes with it.”
“Even if the Wednesday’s true?”
“Especially if the Wednesday’s true. If it’s true and you can’t hold it up, it does the same damage as a lie and it does it faster.”
She wrote SCOPE on a sheet of squared paper and underlined it with the ruler.
“The second is period. Every single thing you say must have a start and a finish on it. Never often. Never usually. Never for some time. From the ninth of January to the fourth of March. If you cannot put two dates round it, it does not go in.”
“And the third?”
“The third is that you never argue.” Madeleine sat back. “This is the one nobody believes. They all want to argue. They want to say it isn’t fair and it isn’t right and there’s been a mistake, and every one of those is an opinion, and an opinion is a thing they can disagree with, and the moment there is a disagreement you have lost, because it will be decided by somebody who is not you.
“You do not argue. You supply.”
“Supply what?”
“Particulars,” said Madeleine Bourdon. “A quantity is not an accusation, it is a hole. You do not tell them the hole is unfair. You fill it. Dates, weights, times, places, and every one of them exact, and you give them so many of them that there is nothing left in the hole to be curious about.”
Wren said, carefully: “What if the thing that fills it is a person.”
“Then it’s a person.”
“What if the person’s not — ” she stopped and rebuilt it. “What if you don’t want the person in it.”
“Then you have a problem,” said Madeleine, “and it is not a form problem, it is an arithmetic problem, and the arithmetic is that a hole with nothing in it gets looked at forever and a hole with something in it gets closed on a Thursday.”
She looked at the squared paper.
“That’s the whole of it, in the end. You can be open or you can be finished. I chose open, and I would like you to understand that I chose it knowing precisely what I was choosing, because people tell my brother I didn’t.”
The brother came through at about six.
Wren had assumed he was out. He had been in the back room the whole time and came through in a cardigan with the sleeves pushed up, a big man gone soft at the edges, sixty-odd, and he was entirely pleasant to her and asked if she’d had enough coffee and said the fourth stair was bad and to mind it going down.
“Madi,” he said. “It’s twenty past.”
“I know what time it is.”
“You said you’d stop at six.”
“I said I’d stop at six if I’d got the annexe done.”
He gave Wren a look which she was clearly meant to share and which she did not know how to return.
“She’s been very kind to me,” Wren said.
“Oh, she’s kind.” He got the milk out. “She’d be a lot kinder if she’d pack it in.”
“Guillaume.”
“I’ve said it to your face for seven years, I’ll say it in front of the girl.” He was not angry. That was the thing about him. He was completely calm and entirely fond of his sister and he said it the way you say a thing you have said until it has gone smooth. “I’m all right. I’ve got the flat and I’ve got the work at the depot two days and I’ve got my walking. I’m not unhappy, madame, whatever she’s told you.”
“She didn’t say you were.”
“Everything in those boxes is true,” said Guillaume Bourdon. “That’s what nobody understands. Every word of it. She’s spent seven years proving that everything they said about me was correct, and now it’s all written down twice.”
He took his coffee back through to the other room.
Madeleine sat looking at the doorway for a moment.
“He gets tired,” she said.
Wren went down the stairs at half past six, minding the fourth one.
She had it. That was the thing she was aware of the whole way down, more than the cold or the smell of the dentist’s or the woman in the window on the third floor watching her go.
She knew exactly how to close box eleven.
You do not argue that a hole is unfair. You fill it with particulars. Dates, weights, times, places, and so many of them that there is nothing left in it to be curious about. Nine days in February. Bread on the fourth, the sixth, the eleventh. Two eggs on the ninth. A tin on the fourteenth, not taken. From the twenty-second of January to the eleventh of March.
Every one of them exact. Every one of them true.
Every one of them hers.
CHAPTER TEN
He climbed that ladder every day for forty years.
The coordinator came on the Tuesday and was called Bruno Zufferey and was the best of them that Isabel had ever seen.
He had a folder and a tape measure and he asked to look at the stairs before he asked to look at anything else, and he was through the whole house in eleven minutes and came back into the kitchen already knowing where the bed would go.
“Front room,” he said. “You’ll want it under the window, not against the wall. Everybody says the wall. The wall is wrong.”
“Why is the wall wrong?”
“Because then he’s looking at you and not at the road.” He put the folder on the table. “Right. Shall I tell you what’s in it, and then you can tell me what you think of me.”
What was in it was better than anything Elena had.
A profiling bed and a pressure mattress, which would end the four nights a week Elena spent listening. A ceiling hoist, fitted, which would end the lifting that had already done something to her shoulder that she had not mentioned to anybody and that Isabel had watched her do at the sink. Physiotherapy twice a week. Night respite one night in seven, which meant one night in seven of sleep.
Continence supplies, delivered, which Elena had been buying with her own card and which had gone through the shopping and which was one of the three lines Isabel had matched off the spike.
Eleven hundred and forty francs a month, notional, none of it in cash.
And nobody went anywhere. That was the whole shape of it. There was no institution in any of it, no transfer, no bed in Sion, no separation. Tomás Ferreira would die in the front room of his own house with his own chair in it, which is what he had said he wanted the once he had been asked.
“That’s the offer,” said Zufferey. “I’ll leave you the forms and I’ll come back Thursday, and if you want me to go through it line by line I’ll do that too, some people want that.”
“Page forty-one,” said Isabel.
He did not flinch and he did not sigh.
“Page forty-one,” he agreed. “You’ve done this before.”
He read it out himself. That was to his credit and Isabel noted it.
Ambient monitoring of the care environment. Four devices. Positioned by the installer and not moved. Continuous, not on request. The room in which care is delivered, for the duration of the package. Audio and image. Retained. Used for service assurance, and for calibration, and for the development of care models.
“In plain words,” said Elena.
“In plain words there are four cameras in the room where he is, all the time, and they don’t go off, and what they see doesn’t stay in this house.”
“For how long?”
“For as long as they keep it. I don’t know how long they keep it. I’d be lying if I gave you a number.”
Elena sat down.
Isabel had signed the assurance page on forty-one deployments in six cantons.
She had read the calibration reports for nine years. She knew, to a closer approximation than anybody in that kitchen, precisely what four cameras in a dying man’s room were worth to the thing on the other end of them, and it was not the man, and it was not the assurance, and it was not fraud prevention.
It was eleven thousand hours of what a human being actually does at four in the morning when they think the room is empty.
She could have said all of that. She had said versions of it in rooms with better acoustics.
She said: “The consent is real. If you say no, you get the bed anyway on the standard package and you lose the hoist, the respite and the physio.”
“Is that a threat?”
“It’s the arithmetic,” said Zufferey, before Isabel could. “It’s not a threat and I’d rather you heard it from me. The standard package is a bed and a district nurse twice a week. Everything else in that folder is in the enhanced, and the enhanced is the one with page forty-one in it. I’ve never once been able to tell anybody why, in a way that made sense to them.”
Elena went and stood at the window with her back to the room, which Isabel had learned meant she was working.
“He’s got no privacy now,” she said. “I do everything for him. There’s nothing anybody could film that I don’t already — ”
She stopped.
“It’s not for me, is it,” she said. “Being watched.”
“No,” said Isabel.
“It’s for him. It’s his room and it’s his last — ” She turned round. “How long has he got, they said?”
Nobody answered her, because she knew, and because she had asked in order to hear herself say it.
From the front room, Tomás Ferreira said: “Bruno.”
Zufferey went to the doorway. “Monsieur.”
“Under the window, you said.”
“Under the window.”
“So I’d see the road.”
“You’d see the road, and the lane, and about half of the co-operative yard, and in the summer you’d see the flags on the church.”
There was a pause.
“I’d like the bed,” said Tomás.
Elena came through and stood by the chair.
“It’s the cameras, Tomás.”
“I heard the cameras.”
“Four of them. In here. All the time.”
“I heard her read it out.” He shifted, and the chair did what it did. “Sit down, I can’t talk to your knees.”
She sat on the arm of it.
“I’m eighty-one,” he said. “I’ve fourteen months and they’ll be right about that, they were right about Maria to the fortnight. Now — what is it they’re taking off me, exactly? Somebody in a building somewhere is going to watch an old man not be able to do his own buttons up. Let them. I’ve been watched by better and I’ve been watched by worse.”
“It isn’t about being embarrassed.”
“No,” he agreed. “It’s about what they do with it after. I know what they do with it after, I’m not a fool, they’ll be building the next one out of me.” He put his hand on her wrist. “And they’ll build it out of somebody, Elena, and it may as well be somebody who’s finished with it.”
“That’s not — ”
“You’ve not slept four nights a week since November.” He said it flatly, and it was the only hard thing he said in the whole of it. “That’s what’s on the other side of the page. That’s what I’d be buying with it. Now you can tell me that’s a poor bargain if you like, but you’ll have to do it out loud, in front of these two, and I’d like to hear how it goes.”
Elena did not say anything.
“I’d like the bed,” said Tomás Ferreira again, and turned his head to look out of the window at the road, which he had had his back to for two years because the chair had been turned round when it got too cold.
She signed on the Thursday.
Zufferey brought the forms and she signed the enhanced package at the kitchen table with the good pen and she did not read page forty-one again, because she had read it twice on Tuesday and she was not a woman who needed a third time.
Isabel witnessed it. That was permitted. Witnessing a signature is not acting.
Afterwards Elena made tea and asked whether anybody had seen the girl, because it had been four days and there had been nothing taken off the wall, and nobody had.
The bed came on the Monday, and the hoist on the Wednesday, and the four devices on the Wednesday afternoon, and the installer was there for two and a half hours and was perfectly pleasant, and put them where they went.
PART THREE
CHAPTER ELEVEN
They asked him twice and he said yes the second time.
It took forty minutes and she did it sitting on the wall by the gate with a sheet of squared paper on her knee.
Elena had offered the kitchen table four times and Wren had said no four times, and in the end Elena had brought out a cushion and put it on the wall and gone back inside without a word, which was the closest anybody had come to winning an argument with her since the boat.
The pencil was Céline’s. It had teeth marks on it.
She started the way Madeleine had told her to start, which was with the two dates.
22 January to 11 March.
That was scope. She could speak to those seven weeks and she could not speak to anything before the twenty-second, because before the twenty-second she had been in Vaud and it was nobody’s business, and Madeleine had been very clear that if you reach for a week you cannot hold, it takes the good weeks down with it.
Then period, which was every line having a start and a finish on it, no often, no usually.
Then particulars.
4 Feb. Bread, approx. 400g. Taken from the flat of the wall at the rear of the property between 20.40 and 21.00.
6 Feb. Bread, approx. 400g. Same place. Same hour.
9 Feb. Bread. Two eggs.
11 Feb. Bread. Two eggs. Cheese, approx. 100g.
14 Feb. Nothing taken. A tin was left. I did not touch the tin.
She stopped at the tin for a while, and then wrote it in anyway, because Madeleine had also said that the ones you want to leave out are the ones that make the rest of it believed.
The trouble started at the seventeenth.
17 Feb. Bread. Cheese.
19 Feb.
She could not write 19 Feb. Nothing and leave it, because a gap in a list is a hole and holes were the entire subject. She had to say why there was nothing on the nineteenth, and the reason there was nothing on the nineteenth was that there had been nothing put out on the nineteenth, and the reason there had been nothing put out on the nineteenth was that a letter had come on the eighteenth.
So the list had to contain the letter.
Which meant the list said, in effect: I was watching this house closely enough to know, on the day, that something had changed inside it.
She wrote it.
19 Feb to 27 Feb. Nothing left out and nothing taken. I continued to attend the rear of the property on eleven of these nine days —
She stopped. Crossed it out. That was wrong and it was wrong because she was tired and it was the sort of wrong that gets found.
19 Feb to 27 Feb. Nothing left out. Nothing taken. I attended on the evenings of 19, 20, 22, 23, 25 and 27 Feb.
Six evenings, written down in her own hand, of a girl standing at a wall in the dark looking at a house where nothing was being put out any more.
She looked at it for a long time.
Then she carried on.
It came to two sides and a bit.
Fourteen dates on which she had taken something. Eleven on which she had not. Weights to the nearest fifty grams, which was guesswork dressed as precision and would hold, because nobody was going to weigh bread that had been eaten in February.
The last line was the one she wrote twice.
I did not know the occupier of the property and had not spoken to her at any time during the above period. Nothing was given to me. Everything set out above was taken from a wall.
Every word of it was true.
Elena read it standing up in her own yard with her glasses on.
She read it the way she had read the letter on the step, holding it out at arm’s length, and she was a long way down before Wren realised what was happening, which was that Elena was not reading it as a document.
She was reading it as a diary.
She got to the nineteenth of February and stopped.
“Six evenings,” she said.
“That’s right.”
“You stood out here on six evenings and there was nothing.”
“I wasn’t standing. There’s a wall.”
Elena put the paper down on the wall and put her hand flat on top of it, which everybody in this country seemed to do, and looked out at the lane for a while.
“I stopped because of the letter,” she said.
“I know.”
“I thought — well, I thought I’d start again after. A fortnight. I thought a fortnight.”
“It was nine days,” said Wren. “It’s all right. It’s on there. Nine days is nothing.”
“It says here you ate on the fourth and the sixth and the ninth.” Elena’s voice had gone flat in a way Wren did not like at all. “That’s twice in a week, love. That’s twice in a week before I stopped.”
Wren did not have anything for that.
Isabel was in the doorway. She had been there for some part of it.
“Don’t hand that in,” she said.
“It’s true.”
“I know it’s true. That’s what’s wrong with it.”
“It’s one line.” Wren picked it up off the wall. “It’s not a name. There’s no name on it anywhere. It’s a wall and some bread and a load of dates.”
“It’s fourteen dates and eleven more, it’s a description of your movements over seven weeks, and it’s in your handwriting.”
“Elena copies it out. It’s her reconciliation. She’s saying what she knows and she knows it because I told her.” Wren heard her own voice getting faster and let it. “That’s how it works. She supplies particulars. She doesn’t argue. There’s no mechanism needed because I’m not giving evidence, I’m just — she’s the one who’s saying it.”
Isabel said: “Who taught you that?”
“A woman in Chalais.”
Isabel closed her eyes briefly.
“What,” said Wren. “She’s the best there is at it. Seven years and they’ve never struck out one word of hers.”
“Yes,” said Isabel. “I know.”
Elena copied it out that night in her own hand, in her own words, and it went in on the Friday.
It closed on the Thursday of the following week.
Céline rang the house to say so, and then rang back eleven minutes later to say she had read it again properly and it was the cleanest reconciliation she had seen in four years and who on earth had drafted it, and Elena said a friend, and left it there.
Box eleven, page thirty-nine: variance accounted, disposal particularised, item closed.
No appeal, no review, no further correspondence. The thing that had been open since the eighteenth of February and would have gone forward into the annual run was shut, in one sentence, on a Thursday afternoon, exactly as Madeleine Bourdon had said it would be.
Elena cooked far too much food that night and was happier than Wren had ever seen her, and shouted things through to the front room, and Tomás said something back that made her laugh so much she had to sit down.
Wren ate on the wall with the plate on her knees and the door open and the light on, and it was, on any honest reckoning, the best evening she had had in Europe.
Somewhere in a building she had never been in, in a file with a woman’s name on it, there was now a paragraph about a person who had attended the rear of a property in Sierre on fourteen evenings between the fourth of February and the eleventh of March, and had taken bread, and had not taken a tin.
Nineteen years and nobody had ever written a sentence with her in it.
That one she had written herself.
CHAPTER TWELVE
The window on the third floor was open in February.
The query came nine days after the close and it was not addressed to Elena.
That was the first thing wrong with it. It came to Elena’s house, in Elena’s envelope, on Elena’s file, and the body of it was about somebody else.
Céline read it out at the kitchen table with her coat still on.
Reconciliations closed on unattributed particulars were sampled. This was one. Nothing adverse was alleged. The particulars had been accepted as to disposal and were now being tested as to scope, which meant one question and one question only.
Is the stated period capable of verification?
“They want to know if it’s true that it started on the twenty-second of January,” said Céline.
“It is true.”
“I know. They’re not saying it isn’t.” She turned the page round so Wren could see it from the doorway. “They’re saying that a period is an assertion like anything else, and this one is doing a lot of work, because if it started earlier then the quantities are wrong and if the quantities are wrong the reconciliation goes back open.”
“And if it goes back open?”
“Then it’s an open item on Elena’s file in the annual run,” said Céline. “Which is where we came in.”
Madeleine Bourdon was delighted to see her.
That was the thing about the flat above the dentist’s. There was always coffee within four minutes and there was always somebody who wanted to talk about exactly this, and Wren had begun to understand that in seven years and four months almost nobody had ever climbed those stairs to ask.
“Scope,” said Madeleine, with enormous satisfaction. “I told you. It’s always scope. Everybody thinks it’ll be the facts and it’s never the facts.”
“So what do I do?”
“You supply.”
“Supply what? I can’t prove I wasn’t here in December.”
“You can’t prove a negative and they don’t want you to.” Madeleine had the squared paper out already and the ruler on it. “They want the positive. You don’t tell them where you weren’t. You tell them where you were, from the twenty-second, continuously, with dates. If the residence is particularised then the period is established, because a person can only be in one place.”
“Residence,” said Wren.
“Residence, presence, whatever you want to call it. Nights and places.” She was writing the headings. “It’s the same three rules. Scope, period, particulars. You give them so much of it that there’s nothing left to be curious about.”
Wren sat in the chair that did not have the schedules on it and looked at the headings on the squared paper.
NIGHTS. PLACES.
Twenty-two January to the middle of April. Eighty-odd nights.
Four of them in the bus shelter outside Sion, which was nobody’s.
Nine or ten on the milk stand under the half roof, which was the commune’s and which nobody had used since there were churns.
The rest of them behind the co-operative, in the boiler room, through the third of the eleven doors, the one with the loose plate at the bottom that had not been fixed because the building behind it was not worth the trouble.
And the pharmacy delivery bay, twice, in the eleven minutes.
And the barn above the road with the broken slats, which belonged to a family called Zermatten who had four fields and did not come up until June.
Places.
“You’ve gone quiet,” said Madeleine.
Wren said: “It’s not my list.”
“It’s your nights.”
“It’s their doors.”
Madeleine did not follow, and Wren watched her not follow, and understood something about the flat and the twenty-six box files that she had not understood on the first visit.
“If I write where I slept,” she said, “I’m writing that the co-operative’s got a door at the back that’s been open for six years. And that the Zermattens don’t shut their barn. And there’s a woman on the Rue du Pont who leaves her back gate off the latch on purpose because her son comes in late and she doesn’t want a row about it, and I’ve been in that yard twice, and if I put the yard in then she’s a woman who leaves her gate open, and that’s on a page now with her name on it.”
“You wouldn’t name her.”
“I’d name the gate.”
“That’s not the same thing.”
“It’s the same thing by Thursday,” said Wren.
There was a pause of about four seconds.
“Well,” said Madeleine, “you can put nothing. Then the period isn’t established and the reconciliation reopens and Mme Sattler goes forward into the run with an open item on her, which at her age and with a Degree Four assessment in the household would be — ”
“He’s not Degree Four. He’s dying.”
“I know what he is,” said Madeleine Bourdon, quite sharply, and then, more gently: “I’m saying it’s the same choice, love. It is always the same choice. You can be open or you can be finished.”
From the back room, Guillaume said, without coming through:
“Madi. Tell her the other thing.”
“There is no other thing.”
“Tell her what it cost.”
Madeleine looked at the doorway for a moment.
“It costs what it costs,” she said, to Wren, in a perfectly level voice. “I have never lied to anybody about that and I’m not starting with you.”
She wrote it on the Tuesday.
Eighty-one nights, with dates. Eleven places, particularised, with the nights against each one. Weights and times were not required, so she gave them anyway, because Madeleine had said that volume closes curiosity, and because she had discovered in herself somewhere around the fourth of February that she was extremely good at this.
She did not go up to Randonne first.
That was the part she noticed afterwards. Not that she chose against Isabel, but that she did not think of it. She had the query on the Friday and she had it written on the Tuesday and Isabel came down to the milk stand on the Sunday in between and they had talked for an hour about the boat and about the grandmother’s knees and about nothing, and Wren had not mentioned it once.
Elena copied it out in her own hand.
She got to the co-operative boiler room and stopped and said, “That’s Marcel’s,” and Wren said yes, and Elena carried on writing.
It went in on the Thursday and the scope was accepted on the Monday and the reconciliation stayed closed, and that was the end of it as far as anybody in that kitchen was concerned.
The particulars went where particulars go.
Eleven places in a commune of eleven hundred people, each one attended overnight by an unenumerated individual across a period of eighty-one nights, none of them alleged against anybody, none of them adverse, none of them requiring any action of any kind.
Simply a list, in a file, of the ways into eleven buildings in Sierre.
In November, four kilometres down the valley road, in a village Wren had walked through twice and never stopped in, a man of about forty who had been living the same way for six years and had never once been asked his name by anybody came back to the place he slept and found an envelope in it.
He had not done anything.
Nobody had done anything to him.
The commune had received, in the ordinary way, a schedule of premises with unsecured access, generated from a closed reconciliation, and had done what a commune does with such a schedule, which is check its own.
CHAPTER THIRTEEN
The priest kept eleven pages.
He stopped for her on the Chalais road in the rain because she was walking on the wrong side and he thought she was going to get hit.
“Get in. Not because I’m nice. Because I’ll be the one filling the form in when you go under something.”
His name was Pascal Loretan and he was fifty-four and he drove the valley run, up empty and down loaded, four times a day, and had done for nineteen years.
The cab smelled of diesel and orange peel. There were two photographs taped inside the sun visor and a third one loose in the door pocket, face down.
He talked for the whole eleven kilometres and she let him, because it cost nothing and because the heater was on.
He talked about the road. He talked about the new barrier at the quarry and the man who put it in, who was an idiot. He talked about his daughter, who was in Lausanne, and about the fact that she rang on Sundays, and about how he had told her she did not have to ring on Sundays, and how he would be very upset if she stopped.
Then he talked about the review.
“Eighteen months, they do us. Every eighteen months, licence category, medical, the driving analytics, all of it.” He changed down for the bend. “I’ve had eleven of them.”
“Do you pass?”
“I have never once failed.” He said it with a certain amount of pride and no irony at all. “Nineteen years, eleven reviews, not one fail. Not one.”
“That’s good, then.”
“It’s supported outcomes,” said Pascal Loretan. “Every one of them. Supported outcome, which is a pass with the conditions on. I’m on the plan. I’ve been on the plan since — ” he thought about it — “the second one. So that’s fifteen years I’ve been on a plan.”
“What’s on it?”
“This time? Fatigue management module, the braking coaching, and I’ve a mentor.” He grinned at the windscreen. “He’s twenty-six. Lovely lad. He’s got me doing the eye exercises.”
She asked him, because she wanted to know and because he was the kind of man you could ask, whether he ever thought they would just take the licence off him.
“Never.”
“Why not?”
“Because who does this run?” He took a hand off the wheel to indicate the valley, generally, the whole of it, the road and the quarry and the four villages. “I know where the ice sits. I know which of them at the co-operative will sign and which of them will send you round the back and lose an hour. That’s not on the analytics. Nineteen years of that isn’t on the analytics anywhere.”
“So they can’t replace you.”
“They could replace me tomorrow.” He said it comfortably. “Costs more, though. Costs more to lose me than to keep me going. So they keep me going.”
He pulled in at the depot gate.
“Fifteen years of plans,” he said, and reached across her to pop the door, “and I’ve never had a rise and I’ve never had a bad word. That’s a good job, that. My father was on the railway and he’d have taken that with both hands.”
The second time was in July and he knew her.
“Sierre road,” he said, before she was properly in. “March. Rain.”
“You’ve a memory.”
“I’ve a memory for the ones walking on the wrong side.”
He had a coffee in the holder and he bought her a second one at the stop without asking whether she wanted it, and she took it, because refusing would have taken longer than drinking it.
Halfway up he said: “Here — I had to put you on the sheet.”
Wren said nothing.
“The cab does the log. Passenger, no passenger, it’s on the telematics whether I say or not, so you put it on the sheet, otherwise it’s a discrepancy and a discrepancy is a meeting.” He waved a hand. “It’s nothing. It’s a box. Occupant, non-employee. I put it March and I put it today.”
“What else does it say?”
“Nothing else. There’s nothing to say. It’s a box.”
“You didn’t put a name.”
“I don’t know your name,” said Pascal Loretan, and laughed, and changed up.
He dropped her at the road head below Randonne.
“You want to get something inside you,” he said. “You’re all — ” he made a gesture. “My daughter’s the same. They don’t eat, that lot.”
“I eat.”
“Course you do.”
He waited, with the engine running, until she was up off the road and onto the track, which he did not have to do and which cost him a minute he would have to make up on the hill.
Then he pulled out.
The lorry went down the valley with its indicator still going for about two hundred metres after the turn, the way it always did, because there was a fault in the stalk that had been on the last four service sheets and had been signed off each time as monitored.
CHAPTER FOURTEEN
The child was carried out through the kitchen.
She went down on the Thursday and was in Geneva by half past nine, and the whole way there she could not have told anybody what she was going for.
That was not a comfortable thing for a woman of her training to admit and she admitted it somewhere around Aigle. She had an appointment with her uncle, which required nothing, and she had a photograph in her coat, which she had had in one coat or another since Crans-Montana, and which she had looked at eleven times and read past on all eleven.
There was no question in her head with words on it yet.
There was only a girl on a milk stand who had solved a box in eleven seconds from a doorway, having never seen a book.
The house was on the lake side and it was smaller than people expected.
There was a man at the gate who had been there nine years and who said good morning to her by name, and there was nothing else. No barrier, no scanner, no lobby. The most important office in Europe was a converted first-floor drawing room with a good carpet and a bad radiator, and the reason nobody had ever been able to explain that satisfactorily to a journalist was that there was nothing to explain.
Adrian let her in.
“Isabel. God, you look cold. Is it snowing up there? It’s snowing up there, isn’t it. We’re doing the roof at Chexbres, I don’t know if I told you — ”
“You told me.”
“ — and the man says June and I’ve told him it can’t be June, because if it’s June we’ve got the whole business with the vines, and — sorry, come in, he’s about to do the eleven.”
She stood at the back of the room and watched her uncle do the eleven, which she had seen perhaps thirty times in nineteen years and had never once got used to.
He came in at four minutes to. He sat down. He put his glasses on and read the single sheet that was there, which took him about two minutes, and he did not hurry it and had never once hurried it.
Then he put his right hand flat on the plate.
Four seconds. There was a light that did nothing but be on, and it went off.
He took his hand back and folded the sheet in half, and that was the whole of it, and Europe went on being whatever it was going to be for another seven hours.
“You’ve got thin,” he said, without turning round.
“So has everybody.”
“I’ve got fatter. Adrian brings cake.” He got up carefully, in stages, the way tall old men do. “Sit down. He’ll bring some now and you’ll have to have a piece.”
They talked about nothing for forty minutes and it was pleasant, and Adrian sat in and did the roof at Chexbres twice more.
Miguel do Lago was eighty-three and had the largest hands she had ever seen on a man and had been, at various times, the most reported and least understood person on the continent. In private he was extremely funny and slightly deaf on the left and had a habit of saying well at the end of a sentence to close it, like a lid.
“You proposed abolishing it again,” she said.
“Third time.”
“And?”
“And they were extremely kind about it.” He smiled at his cake. “There’s a paper. There’s always a paper. It says the office should be retained on grounds of continuity in the current phase and reviewed in due course, which is the same sentence as the last two with the date changed. I’m on my third continuity.”
“Nineteen years.”
“They cannot get rid of me, Isabel. That’s not vanity, it’s the opposite of vanity.” He put the plate down. “If they abolish the countersignature they have to explain to eleven parliaments why it was there for nineteen years, and nobody wants to have that conversation, so instead I come in at eleven and at six and put my hand on a piece of glass, and it costs them a house and a man on a gate and one old Portuguese, which is less than the conversation would cost. Well.”
She said, “Who pays for the house?”
“What?”
“This house. The gate. The man on the gate. Who pays for it?”
Miguel looked at her for a moment, and Adrian, who had been about to say something about the vines, did not say it.
“It’s within the protected ground,” he said. “It’s part of the neutral estate. It’s a grant.”
“From whom?”
“From the arrangement. Isabel, it’s — ” He waved one enormous hand. “It was decided. In ninety-six it was decided, and there’s a schedule, and the schedule is renewed.”
“By the people whose decisions you countersign.”
“Yes,” he said.
He did not defend it. That was the thing about him and it always had been. He put his hands on the arms of the chair and looked out of the window at a lake that had been there before any of it and would be there after, and he said:
“I have thought about that every day for nineteen years and I have never once found the other end of it. Well.”
The question came out of her sideways, which is not how she had ever asked a question in her life.
“Uncle. What was your name meant to be?”
He turned his head.
“What?”
“Your name. Miguel.” She heard how it sounded and went on anyway. “Was there ever another one? Was there a name they had picked, before, that they changed?”
“Changed to what?”
“To Miguel.”
He laughed — properly, delighted, an old man’s laugh with a lot of air in it.
“Where has this come from?”
“I don’t know,” said Isabel, truthfully.
“Miguel was my grandfather. Miguel was my father’s father and there was never any question about it, it had been Miguel since about 1890.” He was still enjoying it. “It’s the one thing in that entire family that nobody argued about. Every other thing — the house, the boat, the business, your father’s schooling — a war. The name, no. Miguel.”
“And you were born at the clinic.”
“At Santa Engrácia, yes. Which my mother never let anybody forget, because it was expensive and because she had wanted the house.”
“In the morning.”
“In the morning, about six.” He was smiling at the memory of a story rather than at a memory. “She used to say the bells went while she was still — the bells at six, and she said, well, that’s him told what time it is.”
Isabel said: “Six in the morning.”
“Six in the morning. Forty years she told that story.”
The photograph stayed in her coat.
It was in the inside pocket on the left and it had been there since Sunday, and it showed one page of an admissions register from the fourteenth of November 1963, and on that page there were two entries timed within an hour of each other, and neither of them was at six in the morning, and one of them had a line ruled through it in a different ink.
She had read that page eleven times.
She had read it as a lawyer reads a thing that is not her case: for the shape, for the anomaly, for whether it went anywhere. And it had never gone anywhere, because there had never been a reason on earth to connect a ruled line in a Lisbon register to an old man with enormous hands who put his palm on a plate twice a day.
She had a reason now and it was not a reason. It was a girl with no education solving a box in eleven seconds.
She did not take it out.
She could not have said, afterwards, whether that was because she had nothing to ask him or because she had suddenly and completely understood what it would do to a man of eighty-three to be handed it in his own drawing room by his brother’s daughter, and she was honest enough, on the train, to know that she would never be able to separate the two.
Adrian walked her down.
“— and the thing is, if he does the roof in June then the scaffolding’s up for the whole of the — you’re not listening.”
“I’m sorry.”
“Nobody listens about the roof.” He said it cheerfully, holding the door. “Is he all right? You were in there a long time.”
“He’s very well.”
“He asks about you,” said Adrian. “Every time. He says you’re the only one of us who ever tells him anything.”
CHAPTER FIFTEEN
There were nine names and she let them go.
By September she had been in one commune for eight months, which was longer than she had been anywhere since the boat, and the reason was not the woman and not the man in the front room and not Isabel.
The reason was that it had stopped being difficult.
She noticed it in the co-operative yard on a Tuesday. Marcel had the door open for the delivery and saw her and said, “Ah — you,” and went and got something out of the back and gave it to her without any ceremony at all, and she was fifty metres up the lane before she understood that she had been given a thing by a man who knew her, in daylight, in front of two other people, and had not thought about it once.
That was the week she decided to be unpleasant.
It went badly from the first attempt.
She was short with Marcel on the Wednesday, which he took as tiredness. She refused a lift from Pascal on the Thursday, standing in the rain, and he pulled in anyway forty metres up and sat there with the engine going until she got in, and then did not mention it. On the Friday she said something genuinely rude to a woman outside the pharmacy about her dog.
The woman laughed until she had to hold on to the railing, and told four people, and by Sunday two of them had repeated it back to Wren with improvements.
She had not once, in nineteen years, considered the possibility that she was funny in a way she could not switch off.
“You’ve been horrible all week,” said Elena.
“I haven’t.”
“You have. You were vile about Madame Grosset’s dog and you’ve not eaten a thing I’ve put out and on Thursday you told me the bread was dry.” Elena was at the sink with her back to her. “It was dry, but you’d never have said.”
“I’m all right.”
“You keep saying that.” She turned round. “You’ve been trying to make me not like you. Since about the tenth. And I want you to know that I noticed, and I want you to know it hasn’t worked, and I’d like to know why.”
Wren stood in the doorway.
“Because it’s easier for you,” she said.
Elena looked at her for a long moment.
Then she dried her hands and went out into the yard, and Wren heard her doing something at the back wall, and when she came in again she said nothing about it at all.
The coat was on the hook by the gate. It was Maria’s, from the cupboard on the landing, and it was a good one, and it had been hung on the outside of the wall on a nail that had not been there in the morning.
The nail was where the light from the kitchen window fell.
Not by the door, where you would have to knock. Not on the ground, where it would be spoiled. Four feet up on a wall in the one patch of yard that was lit at night, so that a person coming down the lane at nine could see it from the corner and take it without going near the house.
She had thought about it. She had thought about all of it, for a whole afternoon, and then she had gone out with a hammer.
Wren wore the coat. There was no version in which she did not wear the coat. It was October and she was not a fool.
The rest of it came in the same fortnight, from six directions, none of them connected.
Marcel did not fix the plate on the co-operative door. He had been told to fix it in the summer, on a schedule, and he had put in for the part and the part had come, and it sat in the office in its bag, and every four weeks he entered the same word on the same line, which was monitored.
Pascal put a thermos in the door pocket on the passenger side and never once referred to it, and it was filled every morning, and if she was not on the road that day he emptied it at the depot and filled it again the next.
Céline sent a bag of things down from Sion with Elena’s shopping which contained, among four other items, a pair of boots in Wren’s size, which nobody had ever measured.
Madeleine Bourdon offered her the back room in Chalais with the schedules in it, and was not offended when it was refused, and offered it again a fortnight later.
And in Sion, at the counter behind the station, Mme Follonier saw her come in through the door that opened for anybody, and got up, and came round the end of the counter — which she was not supposed to do — and said, “Oh, thank God,” and then was embarrassed about it for the rest of the conversation.
Wren had come to ask about something else entirely.
“I held it,” said Mme Follonier. “The contact. The incomplete one. It goes to the queue on a fourteen-day and I held it a day, and then another day, and I’ve been holding it since March, and I want you to know I’ve been doing it and I’m not going to be able to do it much longer, because there’s a review of held items and mine is the only one.”
“Why did you hold it?”
“Because I thought you might come back and I wanted to be able to say I hadn’t done anything to you yet.” She had gone very red. “Which is stupid. I know it’s stupid.”
Céline told her on the last Friday in October, in the lane, with the car door open, cheerfully, as good news.
“Oh — and that’s tidied itself, by the way. The Sion thing.”
“What Sion thing?”
“There was an incomplete contact record on the system from March. Nineteen-year-old female, no name, one of Follonier’s. It’s been sitting in a queue looking untidy for seven months.” She was putting her bag on the seat. “It’s gone through as reconciled against the Sattler particulars. Same period, same commune, same description. So it’s not incomplete any more, it’s closed against a completed item, which is much better, because incompletes get pulled and closed ones don’t.”
Wren said: “How did it get there?”
“How did what get where?”
“How did the one in Sion get put next to the one in Sierre?”
“It’s a queue, they run against each other.” Céline shrugged, pleased, already half in the car. “Somebody’s flagged the relation at some point, I should think. It’s routine. Honestly, it’s the best possible outcome — that’s one less open item with you anywhere near it, and I’ve been worrying about that one since the summer.”
She had. That was the thing. She had been worrying about it since the summer, and she had done something about it in thirty seconds at a kitchen table in March, with a small frown, and had called it housekeeping.
Wren walked up to the milk stand in Maria’s coat and sat on it in the dark and did the arithmetic.
An office, a date, a time, in person, age nineteen, name not given.
Fourteen dates on a wall in Sierre. Eleven places, eighty-one nights.
A room above a post office, a person at the back who spoke, name not held.
Occupant, non-employee, March and July.
All of it in one place now, under one heading, closed and tidy and requiring no further action, and every single piece of it put there by somebody who liked her.
Nobody had done anything to her.
Six people had been nice to her.
CHAPTER SIXTEEN
He was ninety-four and they still troubled themselves.
Pascal Loretan stopped the lorry on the valley road on the eleventh of November and did not open the door.
He sat with the engine running and the window down and his hand on the wheel, and Wren came up to the step and knew from four metres away that something had gone wrong with him.
“I’ve got a thing to tell you,” he said. “And I’m going to make a mess of it.”
“Go on.”
“There’s a fellow at Martigny, Bonvin, does the Genoa run.” He was looking straight ahead through the windscreen. “He had it off a driver who had it off a boat. And it’s for the girl in the valley above Sierre, and there’s only one of those, and it’s been three weeks getting here and I’ve had it since Tuesday and I couldn’t find you.”
“Say it, Pascal.”
He said it the way a man says a thing he has learned by heart because he did not trust himself to keep it any other way.
“Her grandmother died on the ninth of last month. It was quick and it was at home and there was nobody strange there. And she said to say the list is hers now.”
Wren stood on the step of the lorry.
“Say it again.”
He said it again. Exactly the same, in the same order, with the same small stumble at nobody strange, which she understood later was not a stumble in Pascal at all but a stumble that had come the whole way from the atoll through four men who had each kept it.
“Again.”
He said it a third time.
“Thank you,” said Wren.
“Is there — ” He took his hand off the wheel and put it back. “Is there somebody I should tell? Is there a — do you want me to run you somewhere? I’ve got to be at the quarry but I can — ”
“There isn’t anywhere.”
“There must be somewhere.”
“No,” she said. “There isn’t.”
She got down off the step and he sat there for a while with the engine going and then drove on, and she stood at the side of the road in Maria’s coat and did the only thing she could think of, which was to work out what the ninth of October had been. It had been a Thursday. She had been in Chalais on that Thursday, learning about scope.
Elena wanted to do something and there was nothing to do.
That was the whole of the next four days and it was worse than the news.
“We should tell somebody.”
“There’s nobody to tell.”
“There’s always somebody. There’s a — ” Elena stopped, with her hands in the sink, and started again. “The commune. The church. There’s a register at the church, they put them in the book, my mother’s in the book and she hadn’t been to a mass in thirty years.”
“She’s not in anybody’s book,” said Wren. “That’s the whole of what she did. That’s the only thing she ever did.”
“But there’ll be a — somebody must write it down. When a person dies somebody writes it down.”
“When a person dies,” said Wren, “somebody writes it down.”
Elena did not understand for a moment.
Then she did, and she put both hands flat on the edge of the sink, and Wren watched a woman of fifty-eight work out, standing up, at her own window, that there are people in the world whose deaths cannot be recorded because their lives were not.
No certificate. No entry. No notice in a paper. No coroner, no doctor, no reference, no number.
Nothing to put flowers next to.
“Then how do you know it’s true?” said Elena.
“Because four men carried it eleven thousand miles and none of them changed it,” said Wren.
Tomás said the only useful thing anybody said, on the Saturday, from the bed under the window.
“How old?”
“Eighty-three.”
“Same as me,” he said. “Near enough. Was she frightened?”
“They said it was quick.”
“Then she wasn’t.” He looked out at the road for a while. “You’ll want to do the thing you do. Whatever it is. Every family’s got one and I’ve never met anybody who didn’t do it in the end, whatever they say about themselves.”
She did it on the Sunday.
She went up before it was light, past the milk stand, up the track that goes above the chalet at Randonne to where the trees give out, and she sat on the rock that was there and waited for enough light to walk back by, and at about seven she started.
She said the name first, the way you do, before anything.
Matteo.
Then she went into them, in order, in the voice she had used since she was six, which was flat and quick and not a performance, because it had never been a performance, it had been a check.
The bakery on the Via Sanità opened at four and the second oven was never lit.
There were eleven of them on the quay and the photograph shows nine.
It rained on the morning of the vote and the queue went round the block twice.
Renata’s oranges came from her sister’s tree and never from the market.
And the rest of them, all the way down, the streets and the dates and the weather and the names, none of which she had ever been told the meaning of and none of which she had ever asked about, because you do not ask, you keep.
It took eleven minutes.
She got to the end and none was missing.
And there was nobody to say them to.
That was the part nobody had ever explained, because nobody in the chain had ever needed it explaining to them until it happened. You say them back to the one above you. That is the whole architecture of it. She had said them to her mother, and her mother had said them to her aunt, and her aunt had said them to the woman on the atoll, and the woman on the atoll had said them to somebody, and now the top of it was a nineteen-year-old girl on a rock above Randonne saying forty-one true things out loud into a valley in the dark.
She was the top.
She sat on the rock until it was properly light and then she was sick, twice, which she put down to the cold.
Isabel was at the milk stand on the way down.
She had come up in the wrong coat again and she did not say anything about the grandmother, which was the correct thing and which Wren was grateful for in a way she could not have described.
“You’ve been up top.”
“Yes.”
“In the dark.”
“Yes.”
Isabel sat down on the concrete.
After a while Wren said: “I’ve done the Sunday.”
“I know what day it is.”
“No — the thing. The list. I’ve done it.” She was looking at the road. “You say them back to whoever gave them to you. That’s how it works. And there’s nobody there now, so I said them at a rock.”
Isabel did not say anything for long enough that Wren turned her head.
“What’s the first one?” Isabel said.
“It’s not a one. It’s the name. You say it before you start.”
“Say it.”
“Matteo,” said Wren.
And there it was, the third time, the exact same thing that had happened on a boat and happened again about a bakery: a woman going completely still, in the cold, with her hands in her lap, looking at the road.
“Who’s Matteo?” said Wren.
Isabel took a moment.
“A boy I knew,” she said.
It was true, and it was nothing at all, and Wren looked at her for a second and then let it go, because she was nineteen and had buried nobody that week and was extremely tired.
Isabel walked back up the track at about nine.
She did not go inside when she got there. Wren, from the milk stand, could see her standing at the door of the chalet for a long time with her hand on the latch, not opening it, the way people stand when they have decided something and are working out what it will cost.
Then she went in, and the light came on, and it was on all day.
PART FOUR
CHAPTER SEVENTEEN
The Basel engineer wrote to Naples on a Tuesday and was dead on the Friday.
Nobody in the valley called it anything.
That was what Wren had not expected. She had been braced for it since October, and had asked Céline four separate questions about it in November, and had got four straight answers that all amounted to the same thing, which was that the run happened, and that it happened at midnight on the thirty-first, and that there was nothing to attend and nothing to do and nowhere to be.
“It’s not an event,” Céline had said, in the lane, with her bag on the seat. “It’s a date on which open things stop being open. That’s genuinely all it is. My mother makes a fondue.”
Elena’s file completed on the twenty-eighth.
It came through as three lines on a summary and Céline read them out on the phone and Elena wrote them on the pad by the kettle, because she wrote everything on the pad by the kettle.
Household assessment: concluded. Provisioning: reconciled. Care package: in effect.
And the number, unchanged from March, carried forward into the annual position without comment, because it had not been wrong and there had been nothing in the intervening ten months to make it wrong.
Fourteen to nineteen months, from March.
“They’ve not moved it,” said Elena.
“No.”
“I thought they might move it.” She tore the sheet off the pad and put it in the drawer with the others. “I don’t know why I thought that.”
On the thirty-first the co-operative had a thing in the yard from nine, which was four trestle tables, a quantity of white wine that Marcel had been keeping since the summer, and a man with an accordion who was worse at it every year and knew it.
Elena went at half past ten. She had not been out in the evening since October and it took Tomás, Wren and Céline on the telephone to get her out of the door, and she went in the end because Tomás told her that if she did not go he would tell everybody she had refused to go, which was worse.
Wren said she would sit with him.
She did not think about it until she was in the chair.
There were four of them and she knew exactly where all four were.
Two in the corners by the door, one above the bed on the bracket, one on the shelf where the photographs had been moved to make room for it. The installer had been there two and a half hours in April and had been perfectly pleasant and had put them where they went.
She had never once been in that room.
Eight months of a doorway and a step and a yard and a wall, and she had built the whole of it around never being inside that house, and now she was in the chair by the bed on the thirty-first of December with an old man asleep under a window and four devices running, because somebody had to sit with him and there was nobody else in the village who was not at the trestle tables.
She sat still for about ten minutes.
Then she thought: there is no version of this where I get up and go and he wakes up on his own.
So she stayed.
He woke at about eleven and was pleased to find her there.
“They’ve gone, then.”
“Everyone’s gone.”
“Good.” He shifted himself up an inch, which took a while. “Is he playing?”
“He’s playing.”
“He’s terrible.” Tomás listened for a moment to the accordion coming up the lane. “He was terrible in 1998. There’s a consistency to it that I’ve come to admire.”
They did not talk much after that. He asked her whether she was warm enough and she said yes. He asked her whether there was anything of Maria’s she needed apart from the coat, and she said no, and he said well, it’s there, in the way of a man closing a subject he intends to reopen.
At about half eleven he said: “You’re waiting for something.”
“No.”
“You’ve looked at that clock nine times.”
Wren said: “It’s the run tonight.”
“Ah,” said Tomás Ferreira. “Yes. It’s always tonight.”
At midnight the accordion stopped for the shouting, and there were two fireworks from the direction of Chalais, one of which did not go off properly, and a car horn somewhere down by the bridge.
The clock in the hall did what it did.
The bed hummed for four seconds while the mattress cycled, which it did every twenty minutes and had done since April.
Nothing else happened.
Wren sat in the chair with her hands in her lap and waited for eleven minutes to be sure, and nothing happened in those either.
“Well?” said Tomás.
“Nothing.”
“No,” he agreed. “There never is. My father used to sit up for it when they brought the first one in, the census, the proper one, in — it’d be sixty-something. Sat up in his coat. He said afterwards it was like waiting for the tide to come in indoors.”
Elena came back at twenty past twelve smelling of white wine and cold air, extremely apologetic, having enjoyed herself.
Wren went out through the kitchen at about one and slept in the boiler room behind the co-operative, through the door with the plate that Marcel had not fixed, with the part still in its bag in the office.
The file had published at midnight.
It was fourteen pages and a schedule and it was correct in every particular. It said that a household of two in Sierre had been assessed and reconciled, and it set out the disposal of a quantity of food over a period of seven weeks, with dates, and it set out eighty-one nights in eleven places, with dates.
Nobody had decided anything about her. There had been no finding, no determination, no ruling, no view taken. Not one person in nineteen years had ever written her name.
There was simply no longer anywhere in the record where she wasn’t.
CHAPTER EIGHTEEN
The line in the register was ruled in ink that came later.
She made the request on the fourth of January and she made it properly.
That mattered to her more than it should have. She could have asked Adrian, who would have asked somebody, and it would have arrived in an envelope in nine days with nothing attached to it anywhere. Half the continent runs on that and she had spent forty years saying so in rooms where it was not welcome.
So she did it in her own name, on the form, with the reference numbers, and she put the true purpose in the box that asks for the purpose.
To establish whether a document in my possession relates to a member of my family.
She had the photograph on the desk beside her while she typed it, which was the eleventh time it had been out of the coat and the first time it had been out of the coat with a pen in her hand.
Doorn telephoned on the ninth.
“Isabel. Is this a good moment?”
“It’s a Thursday.”
“It’s about a request.” A pause, and paper. “I want to say two things before I say anything else. The first is that you have done nothing improper and nobody is suggesting it. The second is that I would rather have this conversation with you than have somebody else have it with you, and I put my hand up for it, and I’m telling you that so you know where I’m standing.”
“Go on, Sofie.”
“A member of the oversight body has requested a forty-year-old clinical consent file concerning the holder of the Second Law countersignature,” said Doorn. “That request is itself a record. It went onto the schedule at 14.02 on the fourth. I have to ask you why, and you have to answer, and I am very sorry about it.”
Isabel sat and looked out of the window at the snow coming off the roof opposite.
“Because I want to be right,” she said.
“About what?”
“About a page in a register.”
Doorn came up on the Monday, on the train, with a briefcase and a woollen hat that did not suit her, and they sat at the table in the chalet at Randonne with the fire on because the radiator had never worked properly.
The archive had produced it in four days. Portugal had migrated the whole of the Santa Engrácia clinical set in the retention programme three years earlier, and migration meant indexing, and indexing meant that a thing which had sat unread in a basement in Lisbon since 1963 was now findable in eleven seconds by anybody with a reference.
“Before I open this,” said Doorn, “I need you to understand the position you’re in.”
“I know the position I’m in.”
“Tell me it, then.”
Isabel put her hands flat on the table.
“In 2007 I was typed against my uncle for a donor panel. The panel found what it found and I signed the standing instruction, which was that relationship findings incidental to the typing were not to be disclosed to me. I signed it because he was ill, and because I did not want a laboratory telling me anything about my father, and because I was forty-two and a coward.”
“That’s a hard word.”
“It’s the accurate one.” She did not look up. “The instruction stands until I rescind it. If I rescind it, the determination is disclosed to me. And disclosure creates a record of a relationship determination concerning the office-holder.”
“Which is publishable,” said Doorn.
“Which is publishable.”
“Not by me. Not by anybody with a decision to make. It publishes because it is complete, and complete files publish. I cannot stop it, the Chamber cannot stop it, and I would not be able to tell you afterwards that I had tried.”
“I know.”
Doorn put her hand on the folder and did not move it.
“Isabel. He is eighty-three.”
“I know exactly how old he is,” said Isabel. “Open it.”
The register page came first, because it was the oldest thing in the file, and it was the same page she had photographed at Crans-Montana and had read past eleven times, and seeing it printed on archive stock with a reference across the corner was the moment it stopped being a curiosity.
Fourteenth of November 1963. Clínica de Santa Engrácia, Lisbon.
Two entries, 4118 and 4119, timed at 23.10 and 00.40, which is to say one on either side of the night. Two mothers, two attending records, the same physician’s initials against both.
A line ruled through entry 4118 in ink that was not the ink of the page.
One word written above the line in pencil, in a hand that was not the clerk’s, and the word was trocado.
And in the margin, in a third ink, younger than either, a single word and a date thirty-one years later: Confirmar.
Nobody had ever confirmed it.
The financial annexe was two pages and it was the part Isabel had never seen, because it had not been in the register book and had migrated separately, and the archive had joined them on index because they shared a date and a reference.
A payment of forty thousand escudos, received 15 November 1963, entered against the clinic’s general account without a payer.
And a grant of thirty-eight thousand escudos from the Casa Madre foundation, the same day, to a family whose name was given in full and meant nothing to Isabel at all, for the support of a child.
She read the family name four times.
Then she read the address after it, which was a village in the Alentejo, and then the line under that, which recorded that the family had emigrated in 1971 and that the file was closed.
“Where did they go?” she said.
“It doesn’t say,” said Doorn. “It very rarely says.”
The last document in the folder was four lines long and had been generated that morning.
Doorn read the top of it and then turned it round on the table so that it faced Isabel, and put the pen down beside it, and sat back with her hands in her lap and said nothing at all, which was the kindest thing she had ever done for anybody.
Isabel signed the rescission.
The determination printed on the second sheet, and it was not dramatic, and it did not use any of the words that people use.
Relationship as recorded: brother of subject’s father. (Declared, family record, 1985.)
Relationship as determined: not consistent with second-degree consanguinity. No relationship detected within the tested loci.
Determination date: 11 March 2007.
Disclosure: withheld at subject’s instruction, 11 March 2007. Instruction rescinded 12 January.
Prior record: retained.
Correction appends.
Isabel read it three times, which was one more than she read anything.
Retained.
The 1985 declaration was still there. It was still true that a family had declared it and still true that eleven parliaments had appointed him on it and still true that his mother had told a story about bells for forty years. Nothing came off. Nothing ever came off. It was not a system that took things away, it had never once in thirty years taken anything away, and this was the whole of what she had spent her life failing to explain to audiences who kept asking her what would be deleted.
She thought about a man of eighty-three putting his hand flat on a plate at eleven and at six.
She thought about the boy in Naples with the dust and the slow fire, and about a girl on a rock above the treeline saying his name into the dark to nobody.
Doorn said, very quietly: “There’s no blood in it, Isabel. Not on his side. Not one drop.”
“No.”
“Then where did it go?”
Outside, the snow came off the roof opposite in one piece and made no sound that reached them.
Correction appends.
CHAPTER NINETEEN
The second oven was never lit because the flue was shared with the room above.
She went up the track on the Tuesday because Isabel had not come down on the Sunday, and Isabel had come down every Sunday since March.
It took twenty minutes and she stopped twice, which she put down to the snow.
The chalet at Randonne stands at the top of the track with its back to the mountain and its face to the whole valley, and there is a door on the south side with a bell and a plate beside the bell, and Wren stood in front of it in Maria’s coat with a bag of things from Elena in one hand and a thermos of Pascal’s in the other.
She did not press the bell.
She stood there for about a minute and a half, and then Isabel opened it from the inside, because she had been watching her come up the track for the last four hundred metres.
There was somebody else in the house.
Wren knew it from the second cup on the table and from the coat, and then from the voice through the doorway to the front room saying, “— and it doesn’t matter, because it’s already gone on, it went on at the moment you signed it —”
“I know when it went on.”
“Then you know what the next thing is.”
Wren stayed in the porch with her boots on and the door open behind her.
She could see about a third of the front room. The end of the table, papers on it, a folder, and a woman’s hand on the folder with a wedding ring, and she recognised the hand before she recognised the voice as the one from the room above the post office.
“There is no route,” said Isabel, “that does not go through a name.”
“I know.”
“Say it back to me, Sofie, because I have been round it eleven times since Thursday and I would very much like somebody to find the fourth way.”
“There isn’t a fourth way.”
“There is one way that starts with a woman who died in October and whose death is not recorded anywhere on this earth. To say what she was, I have to say who she was, and the moment anybody writes that down she is a person, retrospectively, with a date of birth and a place and a family, and everything that was ever true about her becomes findable, and she spent eighty-three years making sure it was not.”
“And the other way.”
“The other way starts with the girl.”
There was a pause in the front room, and Wren, in the porch, shifted her weight and the floor did something and neither of them heard it.
“She would have a relationship of record,” Isabel said. “To that office. Not a claim — I don’t care about a claim, there’s nothing to claim, there’s no money in it and no title and I would not wish either on her. A relationship of record. Which is a permanent, correct, published attribute, in every system on this continent, from a Tuesday afternoon, for the rest of her life.”
“Yes.”
“She would never be nobody again.”
“No,” said Doorn. “She would not.”
“And I would have done it. Not the run, not the Chamber, not the thing everybody writes books about. Me. At a table. Being right.”
Wren put the bag down on the porch step, which made a noise, and the conversation in the front room stopped.
Isabel came out.
She had aged since Thursday in the way that people do in four days when it is going to be permanent, and she stood in the doorway between the two rooms with one hand on the frame.
“You didn’t come down,” said Wren.
“No.”
“Elena sent bread. And Pascal did the flask, he’s put four sugars in it because he thinks you’re — ” she stopped. “You’ve got somebody here.”
“Sofie Doorn. From the room above the post office.”
“I know who she is.”
They stood there.
Through the doorway Wren could see the end of the table and the folder and, half under it, a photograph of a page of something with two columns and a line ruled across one of them.
“What’s the paper?” she said.
It went on for about four seconds.
Wren watched Isabel’s face and did not understand any of what was on it, and she was to think about those four seconds a great deal in later years without ever getting any further with them.
Isabel opened her mouth.
Then she said: “It’s a family thing. A page out of a hospital book, from before you were born. My uncle’s mother used to tell a story about the day he was born and I’ve been trying to work out whether the story was true.”
“And was it?”
“No,” said Isabel. “It wasn’t.”
“Does it matter?”
“It doesn’t change anything that anybody does tomorrow.”
Wren considered that for a moment.
“Right,” she said, and picked the bag back up and held it out. “There’s bread and there’s a bit of the ham and Elena says you’re to actually eat it and not leave it in the porch like last time.”
Isabel took the bag.
“Thank you,” she said.
And that was the whole of it.
Wren did not go in.
She stood on the step for another minute and talked about Tomás, who was worse, and about the accordion man, who had been asked to play at a christening and had accepted, and she made Isabel laugh once, briefly, in a way that did not seem to do her any good at all.
Then she went back down the track.
At the bottom, where the track meets the road, Doorn caught her up. She had come down fast and she was not dressed for it and she stopped four metres away, which Wren noticed and was grateful for.
“May I say one thing to you?”
“You can say what you like.”
“She has never once lied to a person in her life,” said Sofie Doorn. “Not in a room, not on paper, not to a witness, not to me. Thirty years. I have looked for it, professionally, because it was my job to look for it.”
Wren said: “All right.”
Doorn stood in the snow with her hands in her coat pockets and did not say anything else, and after a while she went back up.
The barrier at the road head is not really a barrier.
It is a pole and a post and a reader on the post, and it is there for the forestry vehicles and the quarry lorries, and it lifts for anything with a plate and stays down for anything without one, and pedestrians go round the end of it through the gap where the fence stops.
Wren went round the end of it the way she had gone round the end of it four hundred times.
The reader on the post said, in the flat pleasant voice they all have, in French and then in German:
Good evening. Sattler household, Sierre. Three of three.
She stopped.
She stood in the gap in the fence in the dark with a thermos under her arm and looked at a grey box on a post that had never said anything to her in eleven months.
“No,” she said. “There’s two in that house.”
The reader did not answer, because it was not a thing that answered.
“There’s two,” said Wren. “There’s her and there’s him. I’m not in the house. I’ve never been in the house.”
She waited, and the snow came down, and nothing happened at all.
“Nobody asked me,” she said.
Then she walked on down the road, because it was late and it was cold and there was nothing else to do about it, and behind her the pole stayed down, the way it always did, for anything without a plate.
CHAPTER TWENTY
Fourteenth of November. Santa Engrácia. Four one one eight and four one one nine.
The chalet at Randonne was shut by the Thursday.
Shutters across, water off, the key back with the barrier man, and a card through Elena’s door in a hand that had got worse since March, saying that she was called down and that she would write.
Wren went up on the Sunday anyway, because Sunday was Sunday.
It was a good morning for it. Hard cold, no wind, and the light coming up behind the Weisshorn about twenty past seven with everything below still blue.
She went up past the milk stand and past the shuttered house and on up to where the trees give out, and sat on the rock for a while with her hands inside Maria’s coat.
Then she came down, saying them.
She said them the way she always said them, which was in time with her feet, flat and quick, not a performance, because it was not a performance. It was a check. You say them and you get to the end and you know that nothing has gone.
The name first, before anything.
Matteo.
The bakery on the Via Sanità opened at four and the second oven was never lit.
The second oven was never lit because the flue was shared with the room above.
There were eleven of them on the quay and the photograph shows nine.
It rained on the morning of the vote and the queue went round the block twice.
Her name was Renata and she taught in the same room for thirty-one years.
Renata’s oranges came from her sister’s tree and never from the market.
The letter was written by hand because he did not trust the other kind.
The Basel engineer wrote to Naples on a Tuesday and was dead on the Friday.
He was ninety-four and they still troubled themselves.
Nobody in that house was asleep.
The window on the third floor was open in February.
The priest kept eleven pages.
There were nine names and she let them go.
Down past the second bend, where the track goes under the trees and the snow was still hard from Thursday.
The second lorry was empty and they signed for it anyway.
He climbed that ladder every day for forty years.
They asked him twice and he said yes the second time.
The number on the door was forty-one before they renumbered the street.
The child was carried out through the kitchen.
The line in the register was ruled in ink that came later.
Fourteenth of November. Santa Engrácia. Four one one eight and four one one nine.
The money came the next day and nobody signed for it.
She was told when she was nine and she never told anybody but the one.
And the rest of them, all the way down to the bottom of the track, where it meets the road.
Eleven minutes.
She got to the end and none was missing.
She had not found the one more.
She thought about it most Sundays now and she had got no further than knowing what was wanted, which was somebody young enough to still be frightened of forgetting. Not clever. Not good. Frightened.
There was a girl at the co-operative, Marcel’s granddaughter, who was eight and who followed her about and asked questions.
Too young. Another four years, perhaps. She was nineteen and there was time, and the rule said one, not two, and she had never once heard of anybody breaking it.
At the bottom of the track she stopped and looked back up at the shuttered house for a moment.
She was not sure what she had gone up for. The rock, or the Sunday, or the fact that for eleven months there had been somebody at the top of that track who came down, and now there was not, and a person likes to check.
The barrier said nothing to her. It had said nothing since the Tuesday. She did not know why and had stopped expecting to find out why, and she went round the end of it through the gap in the fence the way she always had.
The valley was starting up. Somebody’s dog. The bread van on the lower road. Marcel’s shutter going up at the co-operative with the noise it made.
She put her hands back in the coat and started down towards Sierre, where there was an old man in a bed under a window who would be awake by now and would want the road described to him, because he could see it perfectly well and liked to hear it anyway.
And halfway down, without turning round, she said it.
“Life goes on.”
End
The Truth
The Strawberry Series · Book Five
Robert Anthony
£2.95 · $3.95 · €3.50 · CHF 3.25
The final novel of the sequence.